@article{ART003051142},
author={baek yiyun},
title={Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-},
journal={日本硏究},
issn={1229-6309},
year={2024},
number={60},
pages={33-54},
doi={10.20404/jscau.2024.02.60.33}
TY - JOUR
AU - baek yiyun
TI - Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-
JO - 日本硏究
PY - 2024
VL - null
IS - 60
PB - The Center for Japanese Studies
SP - 33
EP - 54
SN - 1229-6309
AB - This study examined main characters’ role language in the Japanese film Shimotsuma Monogatari and analyzed how it relates to their personalities and the film’s narrative. Role language refers to a set of linguistic features (vocabulary, tone, intonation) that suggest a certain persona (age, gender, profession, class, etc.) in subcultures or media (Kinsui, 2003). The study’s results are as follows.
First, we identified each character’s archetypal role language. To clearly convey their persona, the Yankee uses the first person atai and the diminutive zo or ze; the Kansai dialect speaker uses akan, haru, ee, and ya; and the Onekyara uses nano.
Second, in addition to the typical role language, we identified some utterances that fit each character. Yankee characters do not use proper honorifics or idioms, indicating their low education level, and Onekyara’s sarcasm reinforces his character. These utterances give the film comic energy and are important to the narrative.
Third, the role language also reveals the characteristics of the space in which the characters speak. The use of the Kansai dialect in this film emphasizes a past that is distant from the present, a fictional space that differs from reality, and a space where exaggerated comic events occur.
Fourth, Momoko’s standard Japanese reveals her noble, aristocratic character and highlights other characters’ backgrounds through contrast, rendering it significant that Momoko’s style shifts from standard Japanese to Yankee speech during the film’s climax.
KW - role language;character speak;Japanese movie;Kamikaze Girl
DO - 10.20404/jscau.2024.02.60.33
ER -
baek yiyun. (2024). Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-. 日本硏究, 60, 33-54.
baek yiyun. 2024, "Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-", 日本硏究, no.60, pp.33-54. Available from: doi:10.20404/jscau.2024.02.60.33
baek yiyun "Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-" 日本硏究 60 pp.33-54 (2024) : 33.
baek yiyun. Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-. 2024; 60 : 33-54. Available from: doi:10.20404/jscau.2024.02.60.33
baek yiyun. "Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-" 日本硏究 no.60(2024) : 33-54.doi: 10.20404/jscau.2024.02.60.33
baek yiyun. Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-. 日本硏究, 60, 33-54. doi: 10.20404/jscau.2024.02.60.33
baek yiyun. Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-. 日本硏究. 2024; 60 33-54. doi: 10.20404/jscau.2024.02.60.33
baek yiyun. Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-. 2024; 60 : 33-54. Available from: doi:10.20404/jscau.2024.02.60.33
baek yiyun. "Role Language in Japanese Movies -Focusing on the movie Simotsuma Monogatari (Kamikaze Girls)-" 日本硏究 no.60(2024) : 33-54.doi: 10.20404/jscau.2024.02.60.33
