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Transcultural Practice of the History of Modern Korean Literature Written in China

  • Cross-Cultural Studies
  • 2017, 48(), pp.107-133
  • DOI : 10.21049/ccs.2017.48..107
  • Publisher : Center for Cross Culture Studies
  • Research Area : Humanities > Literature
  • Received : August 10, 2017
  • Accepted : September 1, 2017
  • Published : September 30, 2017

Lee Sun-Hee 1

1경희대학교

Accredited

ABSTRACT

This study compares the history of modern Korean literature written in China with the history of South Korean literature, the history of North Korean literature and the history of national literature, explores aspects of narrative and therefore examines transcultural practice presented in such texts. There have hitherto been approximately 25 works on the history of Korean literature written in China, and 16 of 25 works are on the history of modern Korean literature. Regarding their purpose, the number of pedagogical works outstandingly exceeds the number of research works. In terms of perspective and contents, it can be divided into three categories; one that only embraces the history of South Korean literature, another embracing the history of North Korean literature only and the other embracing the history of South Korean and North Korean literature. This study has selected representative texts from each category and compared recognition and narrative aspects to that of the history of South Korean literature, the history of North Korean literature and the history of Chinese literature. It further examines loci of definitions’ transfer and formation as well. As a result, this study reveals valuable understanding of recognition and narration of the history of Korean literature. First, this study offers an introspective attitude, as the history of modern Korean literature accentuates influence of only Western literature, overlooking influence of Chinese literature. Second, this study proposes a new narrative perspective on the history of Unified Korean literature through independent and objective identification of the history of North Korean literature. Last, it emphasizes popularization of literature – aside from pure literary-centrism – and expands possibilities of embracing distinct works relevant to multimedia.

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This paper was written with support from the National Research Foundation of Korea.
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