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A Becoming-Nonhuman Animal in the Neurological State of Exception: Black Swan and Birdman

  • Cross-Cultural Studies
  • 2018, 50(), pp.1-29
  • DOI : 10.21049/ccs.2018.50..1
  • Publisher : Center for Cross Culture Studies
  • Research Area : Humanities > Literature
  • Received : February 10, 2018
  • Accepted : March 1, 2018
  • Published : March 30, 2018

Je cheol Park 1

1연세대학교

Accredited

ABSTRACT

In the contemporary American cinematic landscape, there is a distinctive tendency to depict the disturbing ways in which characters with brain damages perceive, remember, and think about the world. Despite its attempts to examine the socio-political implications of these characters' subjectivities, the previous scholarship on this trend of film was limited in being either too pessimistically deterministic or too euphorically optimistic. Critically reading neuroscientific discourses on the brain-damaged subject from the perspective of Giorgio Agamben's critique of biopolitics, this paper explores how the contemporary American cinema of the impaired brain attempts to mediate the neurologically inexplicable affects of those subjects who are in the neurological state of exception and to express their experiences of a becoming-nonhuman. By closely reading Darren Aronofsky's Black Swan and Alejandro González Iñárritu's Birdman in this regard, I show how the two films, by employing different sets of cinematic free indirect techniques, express the neurologically impaired subject’s affective experience of a becoming-nonhuman animal in different ways, and thereby to a more or less extent act as 'profaned' neuro-biopolitical apparatuses.

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