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Can We Recreate Countless Universes?: A Relational Reading of Everything, Everywhere, All at Once and the Possibility of Pluriverse

  • Cross-Cultural Studies
  • 2024, 72(), pp.61-92
  • DOI : 10.21049/ccs.2024.72..61
  • Publisher : Center for Cross Culture Studies
  • Research Area : Humanities > Literature
  • Received : May 10, 2024
  • Accepted : June 11, 2024
  • Published : June 30, 2024

Hee-jeong Sohn 1 Park Jungwon 2

1경희대학교(국제캠퍼스) 비교문화연구소
2경희대학교

Accredited

ABSTRACT

At the impasse of critical theory, a group of critics has turned their attention to the plurality of the world, exploring possibilities beyond traditional criticism. The concept of Pluriverse serves as both a theoretical framework and a practical discourse that seeks to encompass these alternative possibilities. Coined from the words "plural" and "universe," it critiques the illusion of the "One World World" created by the Global North's perception of itself as universal. The Pluriverse aims to restore the realities of other beings in the world by repositioning humans as interdependent entities within a relational world. This study explores the potential of multiple worlds through an analysis of Everything, Everywhere, All at Once (dir. Daniel Kwan and Daniel Scheinert, 2022). By focusing on an Asian woman in the US, who finds herself trapped in a complex situation with no apparent solution, the film challenges the confinement of the multiverse within the digital realm and its capture by the dominant logic of the modern world. What is crucial in this process is not the desire and effort to be part of the “One World World.” Instead, the film emphasizes that the possibility of creating a Pluriverse can be realized by reestablishing relationality and demonstrating care for others.

Citation status

* References for papers published after 2023 are currently being built.

This paper was written with support from the National Research Foundation of Korea.