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Focusing on the Adaptation of Joshua Reynolds’s The Infant Samuel The “Praying Girl” in Industrializing Korea

  • Cross-Cultural Studies
  • 2026, 79(), pp.427~452
  • DOI : 10.21049/ccs.2026.79..427
  • Publisher : Center for Cross Culture Studies
  • Research Area : Humanities > Literature
  • Received : September 5, 2026
  • Accepted : October 9, 2026
  • Published : October 31, 2026

SooyunHam 1

1성균관대학교

Accredited

ABSTRACT

This study argues that Joshua Reynolds’s The Infant Samuel was received in industrializing Korea as the “Praying Girl” and, combined with the phrase “May Today, Too, Pass Safely,” was refunctioned as an everyday image linking drivers’ faith and safety consciousness with their families’ hopes for their safe return. Although the original figure is the boy Samuel responding to God’s call, Korean materials instead foreground the image of a praying child. The study examines this transformation not merely as a misreading of gender but as a visual adaptation shaped by title, phrase, medium, and setting. A comparison of the original work with later reproduced images shows that the repetition of a figure does not ensure the transmission of the same narrative or meaning; rather, accompanying language and the purposes of use shape how an image is interpreted. In Korea, the icon was received both as a religious image and as an everyday image connecting drivers’ safety consciousness with their families’ hopes for their safe return. Moreover, the phrase “May Today, Too, Pass Safely” could also function independently, without any particular praying figure, as a language of safety invocation. This study explains these processes in terms of the iconographic transformation of a praying image and the verbalization of safety invocation.

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