2015, Vol., No.68

A Study on the poetics of the Wei Jin Southern and Northern Dynasties

Chisoo Lee | 2015, (68) | pp.5~29 | number of Cited : 1

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A comparison of creative features of SuQin Ci's preface

김은경 | 2015, (68) | pp.31~56 | number of Cited : 0

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On The Prototype, Development And Purport Of Zhen Zhong Ji (A Story In A Pillow)

강유나 | 2015, (68) | pp.57~69 | number of Cited : 0

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Study on Sun Wukong’s exteranl image’s formation and development-centre on “tongtoutie’e(銅頭鐵額)” and “huoyanjinjing(火眼金睛)”

XIAODAPING | 2015, (68) | pp.71~90 | number of Cited : 3

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The describtion of “copper head and iron forehead(铜头铁额)” firstly is used to describe the image of Chiyou(蚩尤),who firstly mastered the technology of smelting the copper, and copperinvented the copper weapon and decorated his tribe with the copper motorbiketo win the wars with other tribes in the distant past.The describtion of “copper head and iron forehead(铜头铁额)” firstly is just a record of the historic detail.But till Yang Jingxian(杨景贤) who lived during the end of Yuan Dynasty and the beginning of Ming Dynasty,the describtion of “copper head and iron forehead(铜头铁额)” is used to describe the image of Sun Wukong. And later, Wu Chengen acceded Yang Jingxian’s describtion of “copper head and iron forehead(铜头铁额)” and paid so much attention on Sun Wukong’s external character- “copper head and iron forehead(铜头铁额)” in his work <Story of a Journey to the West(西游记)>. Eventually the charactor of “copper head and iron forehead(铜头铁额)” is known as a tipical charactor of Sun Wukong by the readers of <Story of a Journey to the West(西游记)>. The fisrt one who discribed the “the fire and golden eyes(火眼金睛)” is <Xuanzang(大唐三藏取经诗话)>. But the discribtion of “the fire and golden eyes(火眼金睛)” is just a kind of stylized discribtion of the animals emerged in the works. But this kind of stylized discribtion is used for reference in Yang Jingxian’s zaju(杂剧) works <Story of a Journey to the West(西游记)>. In his works, the hero Sun Wukong reminded his external character- “the fire and golden eyes(火眼金睛)” for four times, but it’s just a kind of mention. Later till Ming Dynasty, the writter Wu Chengen acceded and developed this kind of discribtion. In his works, he made “the fire and golden eyes(火眼金睛)” become a typical charactor of Sun Wukong by three ways. The fisrt way is by the hreo Sun Wukong’s self-introduction, the second way is by the characters’ introduction or retails in the works, the third way is by the writter’s direct narrattaion.

The Lending Library(貰冊 and 稅書): Book lending Services and Readers in Traditional era of Korea and China

Kang, Jong-Im | 2015, (68) | pp.91~112 | number of Cited : 2

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To modern people Sechaek(세책, 貰冊), book lending in traditional Korea, has features that provide fresh and interesting subject matter. That it had only been prevalent in Seoul, one of many cities at the time, the regular customers were women, who had to make up the living in houses, brought out there furnishings and made debts to participate, the contents were not that of housewives' morality but foul and therefore created anxiety of the ruling class, were enough aspects to focus on Sechaek, one of numerous historical events. This study started from the fact that this kind of book lending did exist in China in the name of ‘Seseo’. And only because it has not been receiving much of attention, the academy misconceived that the data of ‘Seseo’ seldom exist. And this study is trying to break its misunderstandings. ‘Seseo’ in China, unlike its cognition until now, in addition to Seseopo, the rental houses, existed in many forms such as 書船(Seoseon) and 貨郞(hwanang), which were book selling stalls. Furthermore, the user of Sechaek were not only in noble class but also in government officials, soldiers, merchants and lower class of people and this is the same in Chinese Seseo. Additionally, in the comparison in women only, it is very similar in many aspects except the class of readers and few special features in cultural aspects. Conclusionally, the reason for difference in propotion of studies in Sechaek and Seseo was the difference of publishing and press situations between the countries. In other words, we must not overlook the fact that Korean publishing was very limited compared to that of Chinese at the time. No matter the amount and area, the publishing, circulation and consumption of books in China grew explosively and on the other hand, those in Korea were not. The dependence of Sechaeck had to be high, and therefore it has been seen as a peculiar cultural phenomenon in Chosun Dynasty. However in China, it was just a natural part of circulation process because the distinction between buying the book and borrowing it was not necessary. Accordingly, we should acknowledge the fact that book lending in China did exist enough and expect follow-up studies for the explanation for the characterized and limited place called ‘Seoul’.

‘Dailiness’ with the aspects of characters in Neo-realism fiction

kanghyosook | 2015, (68) | pp.113~135 | number of Cited : 0

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An aspect of “Mother” demonstrated in Chinese novels of 1990’s written by female writers

Choi Eun Jeong | 2015, (68) | pp.137~157 | number of Cited : 1

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A research on the formation background of Modern SinoKorean characters' sounds in XIE SHE YI DENG & ER DENG

Lee Chun Young | 2015, (68) | pp.159~183 | number of Cited : 0

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Chinese characters assimilated into Koreans have been built on the pronunciation environment of the Korean to the needs of contemporary language preferences. They have been passed through hosts of selection process and then have been formed into the sounds of Modern Sino Korean characters. In this paper, we see the characters of XIE SHE YI DENG & ER DENG(蟹攝 1等･2等)’s vowels, and analyse the formation background of Vowels sounds in Modern SinoKorean character in phonetical points, and also examine the three reasons of the formation background as follows. Those are transformation of pronunciation in China, polyphone in Chinese, and characteristic transformation of pronunciation in Korea. First we analyse six different types in the reason of pronunciation transformation in China. First, Characters of HA･JIA･JIE･TAI･GUAI(哈･佳･皆･泰･夬韻) in KAI KOU YI DENG & ER DENG (開口1･2等)’s combined pronunciation “ㅐ”; Second, Characters of JIA･TAI(佳･泰) in KAIKOU(開口)’s divided pronunciation ‘ㅖ’ in MING and Qing dynasty. Third, Characters of JIA･JIE･TAI･GUAI(佳･皆･泰･夬韻) in HE KOU YI DENG & ER DENG(合口 1･2等)’s combined pronunciation “ㅙ”; Fourth, Characters of JIA(佳) in HE KOU(合口)’s ivided pronun- ciation “ㅘ”; Fifth, Characters of JIE･TAI(皆･泰) in HE KOU(合口)’s reflected pronuncitaion “ㅚ”; Sixth, Characters JIA(佳) and JIE(街) of JIA(佳) in KAI KOU ER DENG(開口二等) with JIAN(見)’s pronunciation “ㅏ”. In the acceptance process of polyphone in Chinese, it had been selected only a few of pronunciations in Korea. In the transformation process of characteristics pronunciation in Korea, we especially analyse the three different types, considering easy of pronunciation of Korean people and language environment of Modern SinoKorean characters situation. First, vowel “ㆎ” changed into “ㅐ”; Second, KAI KOU HUA(開口化) in HE KOU YI DENG(合口1等) of TAI YUN(泰韻) with consonants DUAN·TOU·DING(端透定); Third, Characters in KAI KOU(開口) changed into HE KOU(合口).

The Diachronic Evolution of Verbs of Wipe

한승 | 2015, (68) | pp.185~203 | number of Cited : 0

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A Cognitive Research on Synaesthetic Metaphors in Korean and Chinese Aevertising

Lee,Sun Hee | 2015, (68) | pp.205~242 | number of Cited : 5

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This study is intended to examine synesthetic metaphor shown in Korean and Chinese advertisement from the viewpoint of cognitive linguistics, and to discuss the characteristics of both Korean and Chinese language and culture. This paper surveyed and compared the occurrence patterns of Korean and Chinese synesthetic transfer according to the category of business. Besides, an attempt was made to find out the characteristics of advertising language by contrasting those with synesthetic transfer pattern of sensory adjective shown in normal language, not advertising language. First, the categories of business that actively used the synesthetic transfer included food, cosmetics, information and communication, electrical and electronics business, and the like. And these categories of businesses are closely related to specific sense in the cause of the features of products. Accordingly, these can be regarded as cases where the sense is emphasized and expressed in the advertisement as well. On the other hand, the category of business, where synesthetic metaphor was not shown, included pharmaceutical (medical) business, financial (insurance) business, company (construction business), and the like. Second, synesthetic metaphor shown in an advertisement was shown in much more diverse and active patterns in the Korean language according to the survey. With regard to TV commercials, in Korea, the synesthetic transfer was shown in all of 6 categories of businesses to be surveyed by this study, including the food business. However, in China, it was possible to check that there was synesthetic transfer in 4 categories of businesses such as food, cosmetics, information and communication, and electrical and electronics business. Too, there were quite a few cases. This can be said to show that the Korean language more actively utilizes synesthetic transfer in an advertisement than the Chinese language in general. Third, the synesthetic transfer shown in an advertisement is generally similar to the synesthetic transfer pattern of sensory adjective shown in normal language. It should be thought that, besides the scope of sensory language, the particularity of advertising language also causes the synesthetic transfer to be shown in an advertisement, which is not shown in some sensory adjectives.

A Comparative Analysis of High School Chinese Textbooks between Korea and USA

KIMJOUNGEUN | 2015, (68) | pp.243~273 | number of Cited : 1

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From Exploration to Transition: on Film Concepts of the Fifth Generation Chinese Directors

홍홍 | 2015, (68) | pp.275~290 | number of Cited : 0

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KJCKorea
Journal Central

Journal of Chinese Language and Literature 2023 KCI Impact Factor : 0.28

2015, Vol., No.68