@article{ART002459668},
author={kim, soo-hee},
title={A study on the theatricality of Ci-poetry in Northern Song period},
journal={Journal of Chinese Language and Literature},
issn={1225-083X},
year={2019},
number={80},
pages={5-28},
doi={10.15792/clsyn..80.201904.5}
TY - JOUR
AU - kim, soo-hee
TI - A study on the theatricality of Ci-poetry in Northern Song period
JO - Journal of Chinese Language and Literature
PY - 2019
VL - null
IS - 80
PB - Chinese Literary Society Of Yeong Nam
SP - 5
EP - 28
SN - 1225-083X
AB - Literature and culture grew by communicating with each other. Ci poetry is influenced by the performance culture of the same period, so has a theatrical quality. The performance culture of the Northern Song period was watched by many soldiers, who liked the saga of heroes and generals, and pursued a pleasurable affection. And performance culture showed a tendency to be amusing and playful because of the low artistic level of audience.
Ci poetry has a theatrical quality. First, two characters appear in the Ci poems. There are two cases: one is the lyricist describes the male and female characters, and the other is the lyricist serves as the male character. Second, Ci poetry of Northern Song period adopted a conversation style; a man confessed to a woman, or the man talks to the man. Third, Ci writers used Manci. As the number of Manci phrases increased, they could delineate the scene, and connect scenes with scenes. The fourth, Ci writers linked many songs, and sang narrative material. They chose the legendary novels of the Tang dynasty, and remade it by using a chapter-after-chapter Ci style. In short, Ci poetry of Northern Song period has a theatrical quality as one of the performances culture, which raises the artistic level and also influences the Yuan drama.
KW - 북송 문인사(literati Ci of Northern Song period);희극성(Teatrical quality);공연문화(Performance culture);남녀 등장인물(Male and female characters);대화체(conversation style);장면 연결(Connecting scenes);연장사(Chapter- after -chapter Ci)
DO - 10.15792/clsyn..80.201904.5
ER -
kim, soo-hee. (2019). A study on the theatricality of Ci-poetry in Northern Song period. Journal of Chinese Language and Literature, 80, 5-28.
kim, soo-hee. 2019, "A study on the theatricality of Ci-poetry in Northern Song period", Journal of Chinese Language and Literature, no.80, pp.5-28. Available from: doi:10.15792/clsyn..80.201904.5
kim, soo-hee "A study on the theatricality of Ci-poetry in Northern Song period" Journal of Chinese Language and Literature 80 pp.5-28 (2019) : 5.
kim, soo-hee. A study on the theatricality of Ci-poetry in Northern Song period. 2019; 80 : 5-28. Available from: doi:10.15792/clsyn..80.201904.5
kim, soo-hee. "A study on the theatricality of Ci-poetry in Northern Song period" Journal of Chinese Language and Literature no.80(2019) : 5-28.doi: 10.15792/clsyn..80.201904.5
kim, soo-hee. A study on the theatricality of Ci-poetry in Northern Song period. Journal of Chinese Language and Literature, 80, 5-28. doi: 10.15792/clsyn..80.201904.5
kim, soo-hee. A study on the theatricality of Ci-poetry in Northern Song period. Journal of Chinese Language and Literature. 2019; 80 5-28. doi: 10.15792/clsyn..80.201904.5
kim, soo-hee. A study on the theatricality of Ci-poetry in Northern Song period. 2019; 80 : 5-28. Available from: doi:10.15792/clsyn..80.201904.5
kim, soo-hee. "A study on the theatricality of Ci-poetry in Northern Song period" Journal of Chinese Language and Literature no.80(2019) : 5-28.doi: 10.15792/clsyn..80.201904.5
