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On the Writing of Life and Death in Mo Yan’s Big Breasts and Wide Hips

  • Journal of Chinese Language and Literature
  • 2026, (102), pp.127~153
  • DOI : 10.15792/clsyn..102.202608.127
  • Publisher : Chinese Literary Society Of Yeong Nam
  • Research Area : Humanities > Chinese Language and Literature
  • Received : July 20, 2026
  • Accepted : August 13, 2026
  • Published : August 30, 2026

Zhang Xiang 1 KIM,MEE JEONG 1

1경북대학교

Accredited

ABSTRACT

This paper examines Mo Yan’s Big Breasts and Wide Hips from the literary motif of “life” and “death,” exploring how the novel unfolds its writing of life and death. It argues that the novel first dissolves the sublimity of traditional life-and-death narratives through the juxtaposition of human and animal life and death, defiled descriptions, and contingent narrative arrangements, thereby reducing human life to natural life and bodily experience. On this basis, the novel further presents the suffering of “life” and the absurdity of “death.” Yet it does not fall into nihilism; instead, it regenerates the meaning of life and death through tenacious survival, maternal protection, resoluteness before death, and lingering spiritual resonance. In this sense, the novel’s life-and-death writing not only echoes the traditional Chinese concept of “ceaseless generation,” the Buddhist view of life as suffering, and modern absurdist philosophy, but also reconstructs these philosophical propositions in literary form. Ultimately, the novel offers a distinctively Mo Yan-style answer to the question of “why one lives”: when religion, history, and rational order can no longer provide definite meaning, life can still establish its reason for existence through primordial bodily will, tenacious survival instinct, and the burden of sustaining life.

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