2005, Vol., No.14

Journal of Popular Narrative 2023 KCI Impact Factor : 0.85

pISSN : 1738-3188
https://journal.kci.go.kr/djnar

In this paper, I aim to get a view of Oh Tae-seok newly in the aspect of 'history' rather than 'tradition'. Oh have been writing plays related historical fact or individuals since 1970s. There are three major streams in his historical plays as followings. First : the plays which treat directly his auto-biographic affairs including his experience of the Korean War in his childhood age. Second : the plays which overlap the private 'memories' and public 'history' by the background of dynasty era in the history. Third : the plays that describe the issues of the age of consisting modern nation by the historical individuals of enlightening age or right after liberation from Japan. The first and second stream types were written during 1970s to early 1990s and the third type is being written after late 1990s. In the mid 1990s, Oh's view point to the history has been changed to public 'history' dominated by enlightening and national discours from private experiences and memories. Oh's interests to history was began to trauma of the Korean War in his childhood age. In 1970s and 1980s of military regime and strong nationalism ideology era, Oh depict victims sacrificed by the unaimed madness and violence in the history. In his old age, since mid 1990s, he showed the enlightening position to the misleading history. But the problem was that another violence for revenge was justified by emphasizing victims's sufferings in history. It shows the irony of history that Oh, who himself was a victim of violence in the Korean War, admitted the assailant's position and the violence to the other weak persons.

This thesis studies historical recode(historical reality), sexuality and sexuality in Lee Tae-Jun' {Whang Jin-ie} and Kim Tak-Whan' {I, Whang Jin-ie}. especially this thesis focus on sexuality and modernity, and selection and suture in the text. In Lee Tae-Jun' {Whang Jin-ie}, disruption between sexuality and modern subjectivity is sutured through self-decision in sex and cultural dignity. In Kim Tak-Whan' {I, Whang Jin-ie} eliminate sexuality and her mail sex traveling. Lee's is corresponded with 1930's cultural nationalism, and Kim's is corresponded with deconstruction of modernity and subjectivity.

This thesis pursues to analyze the fantasy and political unconsciousness in digital games. For these purposes, this thesis tries to make clear the form of digital game's fantastic factor from the form of digital games. Digital games create virtual reality which is shown by screen. Digital games would be born between real and unreal like movies. And it exaggerate or reduce the representative object through the change of senses. Especially visual senses and auditory senses would like to be emphasized excessively in digital games. Fantastic conditions will be made by the change of senses. Digital games shows virtual reality by reason of developing digital technologies. The point of view of FPS(First Person Shooting) Genre is the second person description. The second person description has never embodied in another narrative art yet. It's narrative structure has similarity to dreams or somnambulism which infuse second person description to players. But Digital games shows not only the artistic factor that to make the real unfamiliar but also realistic factor. Interactive property of digital games will change the fantasy to the reality. On developing digital games, we cannot produce the tragedy because digital games don't have completed ending. Digital games can be replayed easily whenever the players would like to play. Therefore it can't be impossible to represent the tragedy. Digital games mass-produce the purpose oriented players who are the slave of political unconsciousness of digital games.