KJCKorea
Journal Central

This study aims to explain the problem of mode of perception in media moving images of Sewolho catastrophe. The growth of technology and the popularity of internet, social networking, YouTube and video sites have changed the media landscape. Especially, Sewolho catastrophe watched a variety of media moving images with persistent pain, mobile image data be transmitted from victim of disaster. It is important for main agents of visual recognition to gain an insight on unidentified media moving images. This study is focused on two documentary, KBS TV <Dream of 18 years old , 3 class 2 year, Danwon-high school> and Fuji TV <The truth of Sewolho disaster>, tried to investigate the realization of the way of image composition and the audience`s acceptability in current affairs documentary program. The purpose of this study was to diagnose the roles of and problem with the disaster coverage of media moving images by analyzing the function and context of mobile image data on Sewolho catastrophe, according to the documentary form and contents features. These two documentary lets us know not only about the heart-rending tragedy of disaster but about the unreliability of the way in which information is presented in the media and how we cannot trust what we see, and shown that ventilation of our situation and ethical question about technological advancements and visual system.

Sewolho catastrophe, media moving image, mobile image, documentary, document, visibility