@article{ART002525321},
author={RYU SUYUN},
title={Web 2.0 and Web novels—Focusing on Web-based Romance Novels},
journal={Journal of Popular Narrative},
issn={1738-3188},
year={2019},
volume={25},
number={4},
pages={9-43},
doi={10.18856/jpn.2019.25.4.001}
TY - JOUR
AU - RYU SUYUN
TI - Web 2.0 and Web novels—Focusing on Web-based Romance Novels
JO - Journal of Popular Narrative
PY - 2019
VL - 25
IS - 4
PB - The Association of Popular Narrative
SP - 9
EP - 43
SN - 1738-3188
AB - Web novels are one of the most actively adapted genre novels under a new medium called the Internet. Research on cultural content implemented on top of digital media is naturally closely related to environmental changes in digital media. The same goes for Web novels sparked by the identity of Web platforms. Especially in the case of web novels, the platform itself that provides them has triggered direct changes in genre code and reading patterns. From this perspective, this thesis wanted to examine the formation process and strategic features of web novels, which became content and products on the web platform environment.
First of all, through the formation process ranging from communication novels to Internet novels and web novels, I arranged the transition to digital media and the change of genre novel market. This was an attempt to extract that Web novels not only have continuity as genre novels, but also have a turning point as digital content. Web novels are digital content that internalizes the values of the Web 2.0 era. It should also be a core product that grows the pie in the market in its own right. This paper noted that web novels are content that embodies these consumption values.
So this thesis considered about what is the visualization and commercialization strategy of the web-based novels that is currently formed, and what is the current status of the web-based romance novels as the content and the product that is driving OSMU most actively in the process of commercialization. Through this process, I found that the greatest characteristic of web novels as genre novels that have evolved into digital content is their division and crack of genre.
KW - Web novels;web-based romance novels;PC communication novels;internet novels;Web 2.0;web platform;digital contents;genre novel;crack of genre;OSMU
DO - 10.18856/jpn.2019.25.4.001
ER -
RYU SUYUN. (2019). Web 2.0 and Web novels—Focusing on Web-based Romance Novels. Journal of Popular Narrative, 25(4), 9-43.
RYU SUYUN. 2019, "Web 2.0 and Web novels—Focusing on Web-based Romance Novels", Journal of Popular Narrative, vol.25, no.4 pp.9-43. Available from: doi:10.18856/jpn.2019.25.4.001
RYU SUYUN "Web 2.0 and Web novels—Focusing on Web-based Romance Novels" Journal of Popular Narrative 25.4 pp.9-43 (2019) : 9.
RYU SUYUN. Web 2.0 and Web novels—Focusing on Web-based Romance Novels. 2019; 25(4), 9-43. Available from: doi:10.18856/jpn.2019.25.4.001
RYU SUYUN. "Web 2.0 and Web novels—Focusing on Web-based Romance Novels" Journal of Popular Narrative 25, no.4 (2019) : 9-43.doi: 10.18856/jpn.2019.25.4.001
RYU SUYUN. Web 2.0 and Web novels—Focusing on Web-based Romance Novels. Journal of Popular Narrative, 25(4), 9-43. doi: 10.18856/jpn.2019.25.4.001
RYU SUYUN. Web 2.0 and Web novels—Focusing on Web-based Romance Novels. Journal of Popular Narrative. 2019; 25(4) 9-43. doi: 10.18856/jpn.2019.25.4.001
RYU SUYUN. Web 2.0 and Web novels—Focusing on Web-based Romance Novels. 2019; 25(4), 9-43. Available from: doi:10.18856/jpn.2019.25.4.001
RYU SUYUN. "Web 2.0 and Web novels—Focusing on Web-based Romance Novels" Journal of Popular Narrative 25, no.4 (2019) : 9-43.doi: 10.18856/jpn.2019.25.4.001