@article{ART002891462},
author={HAN GWI EUN},
title={The Ethics of Love in },
journal={Journal of Popular Narrative},
issn={1738-3188},
year={2022},
volume={28},
number={3},
pages={353-387},
doi={10.18856/jpn.2022.28.3.010}
TY - JOUR
AU - HAN GWI EUN
TI - The Ethics of Love in
JO - Journal of Popular Narrative
PY - 2022
VL - 28
IS - 3
PB - The Association of Popular Narrative
SP - 353
EP - 387
SN - 1738-3188
AB - The purpose of this paper is to interpret the ethics of love inherent in the film (2022) by Park Chan-Wook.
embodies the ethics of love as an ‘exceptional event’ through ‘Seo-Rae’, who is in an exceptional state. This film shows that the ethic of love is only possible by accepting the alterity of the lover and acknowledging one's vulnerability, while continuing to address(말걸기) against ethical violence through self-consciousness of language. And in this process, it implies that the violation and overthrow of the world and the rift in the Symbolic Order are inevitable.
In , a Chinese who is not good at Korean and a Korean are set as the main characters, highlighting the fact that the ethics of love are closely related to the ‘language’. Language is subordinated to ideology, and as long as it is used, it is bound to be exposed to ethical violence. Recognizing this limitation is the beginning of ethics. Seo-Rae, who realizes that she is vulnerable to Korean, becomes an ethical subject. She resists violence, not with violence, but recontextualizes it and tries to ‘address’ continuously on that basis. Although this ‘address’ must fail, for that very reason, Seo-Rae continues to address to Hae-Jun by leaving herself as Hae-Jun's ‘unsolved case’. Hae-Jun “collapses” only after Seo-Rae disappears. And it is through this collapse that he crosses the Symbolic fantasy and arrives at salvation. shows the paradox that salvation is possible not by the Symbolic Big Other, but by another vulnerable subject, “my savior who came to ruin my life.” This paradox is being produced through decalcomanic frame construction and editing, and scenes suggesting the gap in the Symbolic Oredr and the Real Order.
The significance of this paper can be found in that it raises issues about the ethics of love and salvation through the interpretation of in an era where romances that consume other are mainstream.
KW - State of Exception;Exceptional Event;Love;Addess;Ethics;The Symbolic;The Real;Salvation
DO - 10.18856/jpn.2022.28.3.010
ER -
HAN GWI EUN. (2022). The Ethics of Love in . Journal of Popular Narrative, 28(3), 353-387.
HAN GWI EUN. 2022, "The Ethics of Love in ", Journal of Popular Narrative, vol.28, no.3 pp.353-387. Available from: doi:10.18856/jpn.2022.28.3.010
HAN GWI EUN "The Ethics of Love in " Journal of Popular Narrative 28.3 pp.353-387 (2022) : 353.
HAN GWI EUN. The Ethics of Love in . 2022; 28(3), 353-387. Available from: doi:10.18856/jpn.2022.28.3.010
HAN GWI EUN. "The Ethics of Love in " Journal of Popular Narrative 28, no.3 (2022) : 353-387.doi: 10.18856/jpn.2022.28.3.010
HAN GWI EUN. The Ethics of Love in . Journal of Popular Narrative, 28(3), 353-387. doi: 10.18856/jpn.2022.28.3.010
HAN GWI EUN. The Ethics of Love in . Journal of Popular Narrative. 2022; 28(3) 353-387. doi: 10.18856/jpn.2022.28.3.010
HAN GWI EUN. The Ethics of Love in . 2022; 28(3), 353-387. Available from: doi:10.18856/jpn.2022.28.3.010
HAN GWI EUN. "The Ethics of Love in " Journal of Popular Narrative 28, no.3 (2022) : 353-387.doi: 10.18856/jpn.2022.28.3.010