Scapes of Jia Zhangke&#039;s films, Jia Zhangke&#039;s films as scapes: The utilization and cultural politics of cinematic scapes (지아장커 영화의 경관, 지아장커 영화라는 경관 - 영화적 경관의 활용과 문화정치)

SEUNGBEEN LEE (이승빈); Jiyeon Shin (신지연)

doi:10.18856/jpn.2023.29.3.008

Scapes of Jia Zhangke's films, Jia Zhangke's films as scapes: The utilization and cultural politics of cinematic scapes

Journal of Popular Narrative
2023, 29(3), pp.227-283
DOI : 10.18856/jpn.2023.29.3.008
Publisher : The Association of Popular Narrative
Research Area : Interdisciplinary Studies > Interdisciplinary Research
Received : August 31, 2023
Accepted : October 20, 2023
Published : October 30, 2023

SEUNGBEEN LEE ¹, Jiyeon Shin ¹

¹연세대학교

Accredited

ABSTRACT

This study discusses Jia's position as an author-insider-observer, cinematic scapes that emerge from it, and its cultural political implications, By analyzing 18 films by Jia Zhangke(贾樟柯), one of China's 6th generation directors. To this end, this study draws on theory of scapes from spatial studies to analyze cinematic scapes as socio-spatial multisensory complexes that are perceived through the intentions and attitudes of individuals within a particular context. Through analysis, this study argues that the scapes in Jia's films are not simply the gaze of an objective recorder, but are utilized as a way to more effectively visualize a sense of space and reality. The duplicity of scapes, especially the use of the mediascapes in his films, becomes an important point of discussion. Furthermore, this study explores ways to (re)think the local, predetermined problematic of "losers" that Jia repeatedly refers to as a cultural political dimension of the non-simultaneous of real and cinematic scapes. To this end, it examines the meaning of the subject-people as both objects of scapes of suspension and as political subjects who constitute scapes of suspension. Finally, the characteristic of Jia's films as scapes themselves also forms an important part of this study. Thus, this study raises the aesthetic and political issues necessary to view Jia's transforming films in the interplay between the artist's shifting position in social space and the changes in socio-spatial space.

KEYWORDS

Jia Zhangke, scapes, cinematic scapes, cinematic space, mediascapes, simultaneity of nonsimultaneous, cultural politics, suspension, Chinese cinema, authorship

Citation status

* References for papers published after 2023 are currently being built.

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Journal of Popular Narrative 2023 KCI Impact Factor : 0.85

Scapes of Jia Zhangke's films, Jia Zhangke's films as scapes: The utilization and cultural politics of cinematic scapes

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* References for papers published after 2023 are currently being built.

Journal of Popular Narrative 2023 KCI Impact Factor : 0.85

Scapes of Jia Zhangke's films, Jia Zhangke's films as scapes: The utilization and cultural politics of cinematic scapes

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