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This paper, was studying starting from the question of change retelling of <Chong-ru-ui-nyo-jon(靑樓義女傳)> <Gi-yoen-jong-zer(奇緣中絶)>. In the present study, it was carried out on the basis of previous research results that adaptation work of <Chong-ru-ui-nyo-jon(靑樓義女傳)> is <Du-shi-niang-nu-chen-bai-bao-xiang(杜十郞怒沈百宝箱)>. Two works, the background, the person, the configuration is similar. In addition, the magnificent structure is almost the same. <Gi-yoen-jong-zer(奇緣中絶)> and <Chong-ru-ui-nyo-jon(靑樓義女傳)>, but adaptation work of the same work, has a clear difference exists. Therefore, it is determined in adaptation text written at different times, respectively. However, <Chong-ru-ui-nyo-jon(靑樓義女傳)>, in the portrait is an attitude, has a complicated structure, quantity is large. <Gi-yoen-jong-zer(奇緣中絶)> is a simple and simple configuration, quantity is short. This tells us that the <Gi-yoen-jong-zer(奇緣中絶)> <Chong-ru-ui-nyo-jon(靑樓義女傳)>, even while accommodating the epic skeleton of the same exemplary <Du-shi-niang-nu-chen-bai-bao-xiang(杜十郞怒沈百宝箱)>, is a work that has passed through the different modification.

Hansungshinbo, Adaptation, <Gi-yoen-jong-zer>, <Chong- ru-ui-nyo-jon>, <Du-shi-niang-nu-chen-bai-bao-xiang>