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A presentation aspect and meaning of the Maternal instinct in Female folk song

  • DONAM OHMUNHAK
  • Abbr : 돈암
  • 2016, 30(), pp.99~124
  • DOI : 10.17056/donam.2016.30..99
  • Publisher : The Donam Language & Literature
  • Research Area : Humanities > Korean Language and Literature > Korean Literature > History of Korean Literature
  • Published : December 31, 2016

choi ja-un 1

1세명대학교

Candidate

ABSTRACT

It is important that the relationship between The Folk song which related to Maternal instinct and Patrilocal marriage. Although it has been years since Patrilocal marriage, The situation seems hopeless of improvement. <Heunggeul-sori> singers give voice to their mother. In this song do not show baby. Through grumble singers feel self exploring. After give birth to child, the position of the daughter-in-law in the home get better. So, Lullaby singers want to benefited from her child. Through interaction between baby Maternal instinct are forming. In <Deer song> Maternal instinct from mother to child maximizes. But, Maternal instinct did not assist their life. Because character are placed in an extreme situation, They feel great responsibility to their young. Maternal instinct did not connected rising self-esteem. Singers still continue to enduring hardship in the home. The singers who sing <Daboknyeo folk song> empathy to character who are estimated at grown-up woman. Character regard Daboknyeo's attempt as disturbance to stand on her feet. Because Singers know by experience, they oppose to finding mother. After long years, Singers give their daughter in marriage. Marriage started the fulfill her responsibility. Since then Self-regard reach its peak. Son-in-law song are sung in wedding reception. When put a baby to sleep Lullaby are sung. The whole Maternal instinct and Self-regard are common to two songs.

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