@article{ART002182092},
author={choi ja-un},
title={A presentation aspect and meaning of the Maternal instinct in Female folk song},
journal={DONAM OHMUNHAK},
issn={1229-2117},
year={2016},
volume={30},
pages={99-124},
doi={10.17056/donam.2016.30..99}
TY - JOUR
AU - choi ja-un
TI - A presentation aspect and meaning of the Maternal instinct in Female folk song
JO - DONAM OHMUNHAK
PY - 2016
VL - 30
IS - null
PB - The Donam Language & Literature
SP - 99
EP - 124
SN - 1229-2117
AB - It is important that the relationship between The Folk song which related to Maternal instinct and Patrilocal marriage. Although it has been years since Patrilocal marriage, The situation seems hopeless of improvement.
singers give voice to their mother. In this song do not show baby. Through grumble singers feel self exploring.
After give birth to child, the position of the daughter-in-law in the home get better. So, Lullaby singers want to benefited from her child. Through interaction between baby Maternal instinct are forming. In Maternal instinct from mother to child maximizes. But, Maternal instinct did not assist their life.
Because character are placed in an extreme situation, They feel great responsibility to their young. Maternal instinct did not connected rising self-esteem. Singers still continue to enduring hardship in the home.
The singers who sing empathy to character who are estimated at grown-up woman.
Character regard Daboknyeo's attempt as disturbance to stand on her feet. Because Singers know by experience, they oppose to finding mother.
After long years, Singers give their daughter in marriage. Marriage started the fulfill her responsibility.
Since then Self-regard reach its peak. Son-in-law song are sung in wedding reception. When put a baby to sleep Lullaby are sung. The whole Maternal instinct and Self-regard are common to two songs.
KW - Maternal instinct;Patrilocal marriage;Self-regard;Heunggeul-sori;Deer song;Daboknyeo folk song;Son-in-law song;Lullaby
DO - 10.17056/donam.2016.30..99
ER -
choi ja-un. (2016). A presentation aspect and meaning of the Maternal instinct in Female folk song. DONAM OHMUNHAK, 30, 99-124.
choi ja-un. 2016, "A presentation aspect and meaning of the Maternal instinct in Female folk song", DONAM OHMUNHAK, vol.30, pp.99-124. Available from: doi:10.17056/donam.2016.30..99
choi ja-un "A presentation aspect and meaning of the Maternal instinct in Female folk song" DONAM OHMUNHAK 30 pp.99-124 (2016) : 99.
choi ja-un. A presentation aspect and meaning of the Maternal instinct in Female folk song. 2016; 30 99-124. Available from: doi:10.17056/donam.2016.30..99
choi ja-un. "A presentation aspect and meaning of the Maternal instinct in Female folk song" DONAM OHMUNHAK 30(2016) : 99-124.doi: 10.17056/donam.2016.30..99
choi ja-un. A presentation aspect and meaning of the Maternal instinct in Female folk song. DONAM OHMUNHAK, 30, 99-124. doi: 10.17056/donam.2016.30..99
choi ja-un. A presentation aspect and meaning of the Maternal instinct in Female folk song. DONAM OHMUNHAK. 2016; 30 99-124. doi: 10.17056/donam.2016.30..99
choi ja-un. A presentation aspect and meaning of the Maternal instinct in Female folk song. 2016; 30 99-124. Available from: doi:10.17056/donam.2016.30..99
choi ja-un. "A presentation aspect and meaning of the Maternal instinct in Female folk song" DONAM OHMUNHAK 30(2016) : 99-124.doi: 10.17056/donam.2016.30..99