@article{ART002674142},
author={Shim Jae-hui},
title={Escaping place and materiality of language on the poem},
journal={DONAM OHMUNHAK},
issn={1229-2117},
year={2020},
volume={38},
pages={241-270},
doi={10.17056/donam.2020.38..241}
TY - JOUR
AU - Shim Jae-hui
TI - Escaping place and materiality of language on the poem
JO - DONAM OHMUNHAK
PY - 2020
VL - 38
IS - null
PB - The Donam Language & Literature
SP - 241
EP - 270
SN - 1229-2117
AB - This study is to examine how poetry builds materiality, focusing on the poems of Kim Jong-sam and Kim Chun-soo. The two poets wrote poems that could not be communicated in the 60s and 70s. These attempts by the two poets were meaningful and had a great influence on future current affairs.
In general, the study of place looks at the intention of the poet projected on the place. It is close to phenomenological research. However, it is not easy to apply this method on the poems of Kim Jong-sam and Kim Chun-soo, So, I decided to pay attention to the place of language. The language must hold its place in order to achieve the purpose of expression. In this study, I will refer to the position which the language must keep by the rule as the place of language. In addition, the case where language is out of its position is defined as a escaping of place. Based on this premise, it is examined how the materiality of the poetic language is secured as a result of the intentional escaping of place.
In poems of the two, the semantic context is destroyed. In the case of Kim Jong-sam, not only cannot the sentence be deciphered due to incomplete verbal behavior, and the context is not formed. There is no part of the sentence component, so you don't know what the phrase is trying to express. The remaining sentence elements, that is, poetic words, can be a crippled language, but they acquire materiality through the subtle movement of images. The languages of poetry approach ‘beauty without content’.
The case of Kim Chun-soo is different from that of Kim Jong-sam. The making rule of sentence and even semantic paragraphs are destroyed. It is placed in the wrong position away from the agreed position. Languages do not interlock with each other and thus do not form the usual meaning. Languages are bound to be isolated from each other. However, through this unfamiliar combination that runs into the unique place of language. Kim Chun-soo’s poetic language is a way to acquire materiality.
KW - place;escaping place;A broken language machine;the silence of language;materiality of language
DO - 10.17056/donam.2020.38..241
ER -
Shim Jae-hui. (2020). Escaping place and materiality of language on the poem. DONAM OHMUNHAK, 38, 241-270.
Shim Jae-hui. 2020, "Escaping place and materiality of language on the poem", DONAM OHMUNHAK, vol.38, pp.241-270. Available from: doi:10.17056/donam.2020.38..241
Shim Jae-hui "Escaping place and materiality of language on the poem" DONAM OHMUNHAK 38 pp.241-270 (2020) : 241.
Shim Jae-hui. Escaping place and materiality of language on the poem. 2020; 38 241-270. Available from: doi:10.17056/donam.2020.38..241
Shim Jae-hui. "Escaping place and materiality of language on the poem" DONAM OHMUNHAK 38(2020) : 241-270.doi: 10.17056/donam.2020.38..241
Shim Jae-hui. Escaping place and materiality of language on the poem. DONAM OHMUNHAK, 38, 241-270. doi: 10.17056/donam.2020.38..241
Shim Jae-hui. Escaping place and materiality of language on the poem. DONAM OHMUNHAK. 2020; 38 241-270. doi: 10.17056/donam.2020.38..241
Shim Jae-hui. Escaping place and materiality of language on the poem. 2020; 38 241-270. Available from: doi:10.17056/donam.2020.38..241
Shim Jae-hui. "Escaping place and materiality of language on the poem" DONAM OHMUNHAK 38(2020) : 241-270.doi: 10.17056/donam.2020.38..241
