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@article{ART002158160},
author={Tsuyoshi NAMIGATA},
title={Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930},
journal={탈경계인문학Trans-Humanities},
issn={2092-6081},
year={2016},
volume={9},
number={3},
pages={191-210},
doi={10.22901/trans.2016.9.3.191}

TY - JOUR
AU - Tsuyoshi NAMIGATA
TI - Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930
JO - 탈경계인문학Trans-Humanities
PY - 2016
VL - 9
IS - 3
PB - Ewha Institute for the Humanities: EIH
SP - 191
EP - 210
SN - 2092-6081
AB - This article attempts to analyze modernism as exoticism in Japanese modernist writings around 1930, especially those concerning encounters in the East Asian cities of Shanghai and Harbin. While a Japanese writer absorbed the aesthetics and politics of Orientalism in terms of “modernization,” the framework, such as the West/non-West, the Occident/Orient, the savage/civilized, capitalism/ communism, cross their borders, amplify, and overlap the contradiction or the ambivalent identity of Japanese imperialism through the process of translating Western exoticisms into a Japanese context. From this viewpoint, it can be said that “modan” (モダン, modern) signifies the encounters of the East and West in the geographical and political sense, and the Japanese modernist literature represents that struggle that took place on the cultural-political stage in East Asia. This is modernism in Japan, and could be modernism itself.
KW - Japanese modernism;exoticism;Paris in the Orient;Shanghai;Harbin
DO - 10.22901/trans.2016.9.3.191
ER -

Tsuyoshi NAMIGATA. (2016). Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930. 탈경계인문학Trans-Humanities, 9(3), 191-210.

Tsuyoshi NAMIGATA. 2016, "Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930", 탈경계인문학Trans-Humanities, vol.9, no.3 pp.191-210. Available from: doi:10.22901/trans.2016.9.3.191

Tsuyoshi NAMIGATA "Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930" 탈경계인문학Trans-Humanities 9.3 pp.191-210 (2016) : 191.

Tsuyoshi NAMIGATA. Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930. 2016; 9(3), 191-210. Available from: doi:10.22901/trans.2016.9.3.191

Tsuyoshi NAMIGATA. "Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930" 탈경계인문학Trans-Humanities 9, no.3 (2016) : 191-210.doi: 10.22901/trans.2016.9.3.191

Tsuyoshi NAMIGATA. Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930. 탈경계인문학Trans-Humanities, 9(3), 191-210. doi: 10.22901/trans.2016.9.3.191

Tsuyoshi NAMIGATA. Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930. 탈경계인문학Trans-Humanities. 2016; 9(3) 191-210. doi: 10.22901/trans.2016.9.3.191

Tsuyoshi NAMIGATA. Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930. 2016; 9(3), 191-210. Available from: doi:10.22901/trans.2016.9.3.191

Tsuyoshi NAMIGATA. "Another “Paris in the Orient”: Overlapping Exoticism in Japanese Modernism around 1930" 탈경계인문학Trans-Humanities 9, no.3 (2016) : 191-210.doi: 10.22901/trans.2016.9.3.191