탈경계인문학Trans-Humanities 2024 KCI Impact Factor : 0.77
-
pISSN : 2092-6081 / eISSN : 2383-9899
- https://journal.kci.go.kr/eih
KJCKorea
Journal Central
Bioart in the Chthulucene
- 탈경계인문학Trans-Humanities
- 2021, 14(1), pp.79~116
- DOI : 10.22901/trans.2021.14.1.79
- Publisher : Ewha Institute for the Humanities: EIH
- Research Area : Humanities > Other Humanities
- Received : February 27, 2021
- Accepted : April 15, 2021
- Published : April 30, 2021
Jungha Hwang 1, Hong, Sungook 1
1서울대학교
Accredited
ABSTRACT
How should we live in an era of crisis in the 21st century, when the extinction of species and climate change caused by human activities threaten the future of the planet? To these questions, a well-known feminist science studies scholar Donna Haraway presents the concept of the ‘Chthulucene’, which chooses to stay with troubles and imagines the future of tomorrow by shaping new kinds of relationships with various human beings, animals, and non-human beings. This paper tries to reinterpret three well-known bioart works by using an insight of ‘biophilosophy’ of the philosopher Eugene Thacker, which understands life as a process that constantly changes in a complex network, as well as the sympoietic view of life of the Chthulucene. This re-examination of bioart works will bring a richer and more practical interpretation of contemporary bioart.
Statistics
-
943 Viewed
-
632 Downloaded
Tools
Issue List
Citation status
* References for papers published after 2024 are currently being built.
[journal]
신승철
/ 2013
/
Against Bioethics? The Critical Practice in the Bio Art
/ 현대미술사연구
/ 현대미술사학회
(33)
: 167~198
[journal]
이소요
/ 2017
/
Management, Care, Solicitude -Considerations for Bio Media in the Arts
/ 한국영상학회논문집
/ 한국영상학회
15(3)
: 59~73
[journal]
전혜숙
/ 2016
/
Bioart Criticizing Biosurveillance and Biocontrol
/ 미술이론과 현장
/ 한국미술이론학회
(21)
: 158~189
[book]
홍성욱
/ 2019
/ 포스트휴먼 오디세이
/ 휴머니스트
[book]
Irigaray, L
/ 2020
/ 식물의 사유: 식물 존재에 관한 두 철학자의 대화
/ 알렙
[book]
Baker, S.
/ 2012
/ Artist Animal
/ University of Minnesota Press
: 227~239
[journal]
Baker, S.
/ 2006
/ We Have Always Been Transgenic
/ AI & Society
20(1)
: 35~48
[confproc]
Bar-On, Y. M.
/ 2018
/ The Biomass Distribution on Earth
/ Proceedings of the National Academy of Sciences
115(25)
: 6506~6511
[journal]
Becker, C.
/ 2000
/ GFP Bunny
/ Art Journal
59(3)
: 45~47
[journal]
Blok, V.
/ 2017
/ Earthing Technology: Towards an Eco-centric Concept of Biomimetic Technologies in the Anthropocene
/ Society for Philosophy and Technology Quarterly Electronic Journal
21(2)
: 114~126
[book]
Blocker, J.
/ 2009
/ Seeing Witness: Visuality and the Ethics of Testimony
/ University of Minnesota Press
: 87~102
[journal]
Byerley, A
/ 2015
/ Biotech Aesthetics: Exploring the Practice of Bio Art
/ Culture and Organization
21(3)
: 197~216
[journal]
Catts, O.
/ 2008
/ Growing Semi-Living Structures: Concepts and Practices for the Use of Tissue Technologies for Non-Medical Purposes
/ Architectural Design
78(6)
: 30~35
[journal]
Catts, O.
/ 2013
/ The Vitality of Matter and the Instrumentalisation of Life
/ Architectural Design
83(1)
: 70~75
[book]
Chapple, B.
/ 2011
/ Second Nature:Origins and Originality in Art, Science, and New Media
/ AXL Books
: 59~76
[journal]
Crutzen, P. J.
/ 2000
/ The ‘Anthropocene’
/ Global Change Newsletter
41
: 17~18
[journal]
Davis, J.
/ 2019
/ Anthropocene, Capitalocene, … Plantationocene?: A Manifesto for Ecological Justice in an Age of Global Crises
/ Geography Compass
13(5)
: e12438~
[journal]
Desai, S.
/ 2017
/ Haste and Waste in the City: Rekindling Care About and For Trees in Another Time
/ Concentric: Literary and Cultural Studies
43(1)
: 165~195
[journal]
de La Bellacasa, M. P.
/ 2009
/ Touching Technologies, Touching Visions : The Reclaiming of Sensorial Experience and the Politics of Speculative Thinking
/ Subjectivity
28(1)
: 297~315
[journal]
de La Bellacasa, M. P.
/ 2011
/ Matters of Care in Technoscience : Assembling Neglected Things
/ Social Studies of Science
41(1)
: 85~106
[book]
de La Bellacasa, M. P.
/ 2017
/ Matters of Care: Speculative Ethics in More Than Human Worlds
/ University of Minnesota Press
[journal]
Dixon, D. P.
/ 2008
/ The Blade and the Claw : Science, Art and the Creation of the Lab-borne Monster
/ Social & Cultural Geography
9(6)
: 671~692
[book]
Driessen, C. P. G.
/ 2017
/ Key Thinkers on Cities
/ Sage Publications
: 141~146
[journal]
Dumitriu A.
/ 2011
/ Cybernetic Bacteria 2.0
/ Leonardo
44(3)
: 264~265
[journal]
Gigliotti, C.
/ 2006
/ Leonardo’s Choice : the Ethics of Artists Working with Genetic Technologies
/ AI & Society
20(1)
: 22~34
[book]
Haraway, D. J
/ 2003
/ The Companion Species Manifesto: Dogs, People, and Significant Otherness
/ Prickly Paradigm Press
[book]
Haraway, D. J.
/ 2008
/ Queering the Non/Human
/ Ashgate Publishing
: 23~36
[journal]
Haraway, D. J.
/ 2015
/ Anthropocene, Capitalocene, Plantationocene, Chthulucene: Making Kin
/ Environmental Humanities
6(1)
: 159~165
[book]
Haraway, D
/ 2016
/ Staying with the Trouble: Making kin in the Chthulucene
/ Duke University Press
[book]
Harbers, H.
/ 2010
/ Care in Practice: On Tinkering in Clinics, Homes and Farms
/ Transcript Verlag
: 141~170
[journal]
Harthoorn, K.
/ 2019
/ Critical Bioart and Postcapitalist Ethics
/ Philosophical Readings
11(1)
: 17~25
[journal]
Houdebine, L. M.
/ 2014
/ Impacts of Genetically Modified Animals on the Ecosystem and Human Activities
/ Global Bioethics
25(1)
: 3~18
[book]
Jagodzinski, J.
/ 2015
/ Synnt/Origins Special Issue: Bio/Art/Education
: 13~25
[journal]
Kac, E.
/ 2003
/ GFP Bunny
/ Leonardo
36(2)
: 97~102
[journal]
Lovelock, J. E.
/ 1972
/ Gaia as Seen Through the Atmosphere
/ Atmospheric Environment
6(8)
: 579~580
[journal]
Lovelock, J. E.
/ 1972
/ Atmospheric Dimethyl Sulphide and the Natural Sulphur Cycle
/ Nature
237
: 452~453
[book]
Lovelock, J. E
/ 1979
/ Gaia: A New Look at Life on Earth
/ Oxford University Press
[book]
Lovelock, J
/ 2006
/ The Revenge of Gaia: Earth’s Climate Crisis and the Fate of Humanity
/ Basic Books
[journal]
Lynch, L.
/ 2007
/ Culturing the Pleebland: The Idea of the “Public” in Genetic Art
/ Literature and Medicine
26(1)
: 180~206
[book]
Machado, A.
/ 2003
/ The Eighth Day: The Transgenic Art of Eduardo Kac
/ Institute for Studies in the Arts, Arizona State University
: 87~95
[book]
Margulis, L
/ 1998
/ The Symbiotic Planet: A New Look at Evolution
/ Basic Books
[journal]
McHugh, S.
/ 2010
/ Real Artificial: Tissue-cultured Meet, Genetically Modified Farm Animals, and Fictions
/ Configurations
18(1)
: 181~197
[journal]
Mindell, D. P.
/ 2013
/ The Tree of Life: Metaphor, Model, and Heuristic Device
/ Systematic Biology
62
: 479~489
[book]
Mitchell, R
/ 2010
/ Bioart and the Vitality of Media
/ University of Washington Press
[book]
Mol, A.
/ 2010
/ Care in Practice: On Tinkering in Clinics, Homes and Farms
/ Transcript Verlag
[journal]
Montagnino, F. M.
/ 2018
/ Joseph Beuys’ Rediscovery of Man-Nature Relationship: A Pinoeering Experience of Open Social Innovation
/ Journal of Open Innovation:Technology, Market, and Complexity
: 66~82
[book]
Moore, J. W.
/ 2016
/ Anthropocene or Capitalocene? Nature, History, and the Crisis of Capitalism
/ PM Press
: 1~11
[journal]
Moser, I.
/ 2008
/ Making Alzheimer’s Disease Matter: Enacting, Interfering, Doing Politics of Nature
/ Geoforum
39(1)
: 98~110
[journal]
Palladino, P.
/ 2010
/ Picturing the Messianic: Agamben and Titian’s The Nymph and the Shepherd
/ Theory, Culture & Society
27(1)
: 94~109
[journal]
Scholz, N.
/ 1986
/ Joseph Beuys: 7000 Oaks in Kassel
/ Anthos: Zeitschrift für Landschaftsarchitektur
25
: 31~35
[journal]
Senior, A.
/ 2014
/ Relics of Bioart: Ethics and Messianic Aesthetics in Performance Documentation
/ Theatre Journal
66(2)
: 183~205
[journal]
Shcheglovitova, M.
/ 2020
/ Valuing Plants in Devalued Spaces: Caring for Baltimore’s Street trees
/ Environment and Planning E: Nature and Space
3(1)
: 228~245
[journal]
Stracey, F.
/ 2009
/ Bio-art: The Ethics Behind the Aesthetics
/ Nature Review Molecular Cell Biology
10
: 496~500
[journal]
Strauss, D. L.
/ 2006
/ Beuys in Ireland: 7000 Oaks on the Hill of Uisneach
/ Alternatives:Global, Local, Political
31(1)
: 101~104
[book]
Thacker, E
/ 2005
/ The Global Genome: Biotechnology, Politics, and Culture
/ MIT Press
[book]
Thacker, E
/ 2008
/ Critical Digital Studies: A reader
/ University of Toronto Press
: 132~142
[book]
Thacker, E
/ 2004
/ Creative Biotechnology: A User’s Manual
/ L+ Publishing
[journal]
Tomasula, S.
/ 2002
/ Genetic Art and the Aesthetics of Biology
/ Leonardo
35(2)
: 137~144
[journal]
Vaage, N. S.
/ 2016
/ What Ethics for Bioart?
/ Nanoethics
10(1)
: 87~104
[journal]
Vaage, N. S.
/ 2017
/ Fringe Biotechnology
/ BioSocieties
12(1)
: 109~131
[journal]
Weintraub, L.
/ 2015
/ Curator - Anthropologist/Ethnographer - Artist: Katherine Carl and Natalie Jeremijenko Interviewed by Linda Weintraub
/ EthnoScripts: Zeitschrift für aktuelle ethnologische Studien
17(1)
: 198~217
[book]
Yi, D
/ 2015
/ The Recombinant University: Genetic Engineering and the Emergence of Stanford Biotechnology
/ University of Chicago Press
[journal]
Zurr, I.
/ 2004
/ The Ethical Claims of Bio Art: Killing the Other or Selfcannibalism?
/ Australian and New Zealand Journal of Art
5(1)
: 167~188
[book]
Zylinska, J.
/ 2014
/ Ethics and the Arts
/ Springer
: 191~200
[web]
Jeremijenko, N.
/ 2000
/ OneTree
/ https://www.genetology.net/index.php/126/beeldende-kunst/
[web]
Kac, E
/ 2000
/ GFP Bunny
/ https://www.ekac.org/gfpbunny.html#gfpbunnyanchor
[web]
Kac, E
/ 2009
/ Bio Art
/ http://www.darsmagazine.it/bio-art/#.VglGPN_tlBc
[web]
Sardar, Z
/ 2004
/ Society’s Signposts / Natalie Jeremijenko’s Trees Aren’t Simply Decorative —They Can Be Read Like a Social Register
/ https://www.sfgate.com/bayarea/article/Society-s-signposts-Natalie-Jeremijenko-s-trees-2641315.php
[web]
Shea, E.
/ 2014
/ OneTrees: The forgotten tree art project
/ http://www.deeproot.com/blog/blog-entries/onetrees-the-forgotten-tree-art-project
[web]
Slawson, K.
/ 2000
/ Eduardo Kac’s GFP Bunny, a Work of Transgenic Art, or, It’s Not Easy Being Green
/ https://everything2.com/title/Green+Fluorescent+Bunny
[web]
/ the tissue culture & art project
/ https://tcaproject.net/about/
This paper was written with support from the National Research Foundation of Korea.