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A Study on Formulation Process of Gyeonggichega(景幾體歌) by way of Comparative Research between An, Chuk(安軸)’s 「Gwandongbyeolgok(關東別曲)」 and Songsa(宋詞)

Lee Gyeong Baek 1

1공주대학교 국어국문학과 대학원

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ABSTRACT

　Gyeonggichega occurred in the late Goryeo dynasty and subsequently matured in the mid-Joseon dynasty. 27 poems of Gyeonggichega remain currently among which An, Chuk’s 「Gwandongbyeolgok」 is determined as a representative work, as well as 「Hallimbyeolgok」. This study is intented to clarify how Songsa was introduced to Goryeo dynasty and how the relation of Songsa and 「Gwandongbyeolgok」 had gone, and to the extent of what the origin and formulation process of Gyeonggichega were in such a way comparative research between 「Gwandongbyeolgok」 and Songsa. 　Songsa was popular at Song dynasty, it allows us to reason that Songsa’s introduction came in Goryeo dynasty. As for writers in Goryeo dynasty, they deemed its rhythm and lyric as adversity. They gave a great attention to creation of Songsa, notwithstanding they designed alternatively Gyeonggichega. Therefore Gyeonggichega, designed by the writers as very similar genre, aimed at creating new works, taking readers to the understanding, approaching to the elegance of Korea proper. 　This study takes 「Gwandongbyeolgok」 and Songsa on comparative research in terms of the form and retoric, and in case of the form, finds bilateral similarity through long and short phases and before and behind ones, furthermore suggests the musical characteristic they both have causes bilateral similarity, and then in case of retoric, seeks bilateral similarity through citation and contraposition. 　It may have a special meaning that comparative research is made herein and a lot of bilateral similarity is found between Gwandongbyeolgok」 and Songsa. As a result, it is thought that the origin and formulation process of Gyeonggichega were greatly influenced by Songsa.

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