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2018, Vol., No.44

Reconsidering American Photorealism of the 1970s
Chaeki Freya Synn | 2018, (44) | pp.7~37 | number of Cited : 1
Robert Irwin’s Installation Art: A Dialectical Understanding of the Semantics of Plural Boundary Deconstruction
Shin Young Sung | 2018, (44) | pp.39~67 | number of Cited : 0
Gérard Fromanger, Gilles Deleuze and Michel Foucault: Connection and Flight
HAN EUI JUNG | 2018, (44) | pp.69~92 | number of Cited : 1
Dystopia and Utopia in the Art of Kenny Scharf
Eunyoung Cho | 2018, (44) | pp.93~118 | number of Cited : 2
The Realationship between New Wave SF’s Landscape and Robert Smithson’s film Spiral Jetty
Jaeeun Lee | 2018, (44) | pp.119~145 | number of Cited : 3
Machine Vision and Posthuman Subject: New Visibility and Cameras of Kelvin Kyung Kun Park, Vertov and Snow
Hye Jin Mun | 2018, (44) | pp.147~178 | number of Cited : 3
An Ecology of Technology and the Arts Through a Discussion of “Symmetric Anthropology” and “Soundscape”
KIM JOO OK | 2018, (44) | pp.179~200 | number of Cited : 6
Opening and Closing, Body Subject: A Study on the Change of the Concept of Subject in the Post-Humanism Era
Lee, Ji Hyun | 2018, (44) | pp.201~228 | number of Cited : 2
Hallyu Images, Subversive Pleasures and Female Fandom in Cyberspace: Sunhee Lim and Sylbee Kim
Dong-Yeon Koh | 2018, (44) | pp.229~252 | number of Cited : 0
How did Korean performance art secure publicness?: Daehangno in 1986 as ‘Nori Madang’, and the Korea Performance Art Association
Cho, Soojin | 2018, (44) | pp.253~284 | number of Cited : 1
Critical Aspects of Kang Kukjin’s Early Avant-Garde Experiments: 1964-1974
Chung Yeon Shim | 2018, (44) | pp.285~311 | number of Cited : 4