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2019, Vol., No.46

Museum of Obsessions: Harald Szeemann and Outsider Art
HAN EUI JUNG | 2019, (46) | pp.7~35 | number of Cited : 5
A Phenomenological Study on the Recipient of Virtual Reality: Centering on Merleau-Ponty’s Theory of Perception and Hansen’s Concept of ‘Body in Code’
So La JUNG | 2019, (46) | pp.37~61 | number of Cited : 5
A Study on the Expressive Form of the Sublime: Focusing on the Temporality of Media Art
Yoo Won Joon | 2019, (46) | pp.63~84 | number of Cited : 0
The Origins and Differences of Dansaekhwa by Matter and Gesture
Seunghyun Lee | 2019, (46) | pp.85~110 | number of Cited : 3
Ancient Futures of The More, the Better: Obsolete New Media’s ‘Parallax Contemporaneity’
Yung Bin Kwak | 2019, (46) | pp.111~142 | number of Cited : 1
Change in North Korea’s Concepts of Realism and Exemplarity
Carey Park | 2019, (46) | pp.143~164 | number of Cited : 3
Race, Nation, and Exoticism in Pai Un-soung's Self-Portraits
Chaeki Freya Synn | 2019, (46) | pp.165~190 | number of Cited : 3
Debbie Han’s Graces: Hybridity and Universality
Kyunghee Pyun | 2019, (46) | pp.191~212 | number of Cited : 0