@article{ART001779964},
author={Ju, Hyunshik and Sanglan Lee},
title={(Im)Politeness's Cultural Meaning of Yangju Masked Dance Play},
journal={The Research of the Korean Classic},
issn={1226-3850},
year={2013},
number={27},
pages={327-369}
TY - JOUR
AU - Ju, Hyunshik
AU - Sanglan Lee
TI - (Im)Politeness's Cultural Meaning of Yangju Masked Dance Play
JO - The Research of the Korean Classic
PY - 2013
VL - null
IS - 27
PB - The Research Of The Korean Classic
SP - 327
EP - 369
SN - 1226-3850
AB - In order to study distinctiveness of Yangju Masked Dance Play as performative genre, it is necessary to do as in-depth analysing of a situational meaning that performers and audiences make together at performance site. For example, a cultural perspective about linguistic forms or nonverbal channels like gesture and music provides Yangju Masked Dance Play's research with a new perspective. Bearing these points in mind, this paper will study cultural meaning of Yangju Masked Dance Play's oral performative grammars with (im)politeness as the center.
In Yangju Masked Dance Play, politeness is sensuously made up a direct request's discourse, bound-unidirectional-particular gestures, and musics standing for a social identity. On the other hands, impoliteness is sensuously made up a playful discourse strategy like parallelism, free-bidirectional-global gestures, and musics standing for a physical plasticity. In both cases, audiences become participants, because of aesthetically elevated situations arising from uttering (im)politeness. Therefore, Yangju Masked Dance Play's oral performative grammars homonymously figure sociocultural conditions in the late of Chosun Dinasty. That is, sensitive factors as (im)politeness's constituent make up faces as a unit of cultural activity, i.e. 'cultureme', and faces authoritatively or deauthoritatively structure intelligible cultural activity like medical, commercial, food life system in the late of Chosun Dinasty. So, as a cultural meaning, (im)politeness of Yangju Masked Dance Play recontextualizes historical conditions of the late Chosun Dinasty which conservatism and progressive ideas continue the strained relations.
As a result, this paper will have significances in that it attempts to variously understand sociocultural aspects of Korean Masked Dance Play's aesthetics. To linguistically, kinesically, ethnomusically, culturologically analyse oral performative grammars will provide us with useful research perspectives, because the earlier studies on Korean Masked Dance Plays have focused on ritual hypothesis of the origin of it or realism study about growth of the people in the late of Chosun Dinasty.
KW - Korean Masked Dance Plays;Chongganbo Notation;Politeness;Impoliteness;Oral Performative Grammars;Cultureme
DO -
UR -
ER -
Ju, Hyunshik and Sanglan Lee. (2013). (Im)Politeness's Cultural Meaning of Yangju Masked Dance Play. The Research of the Korean Classic, 27, 327-369.
Ju, Hyunshik and Sanglan Lee. 2013, "(Im)Politeness's Cultural Meaning of Yangju Masked Dance Play", The Research of the Korean Classic, no.27, pp.327-369.
Ju, Hyunshik, Sanglan Lee "(Im)Politeness's Cultural Meaning of Yangju Masked Dance Play" The Research of the Korean Classic 27 pp.327-369 (2013) : 327.
Ju, Hyunshik, Sanglan Lee. (Im)Politeness's Cultural Meaning of Yangju Masked Dance Play. 2013; 27 : 327-369.
Ju, Hyunshik and Sanglan Lee. "(Im)Politeness's Cultural Meaning of Yangju Masked Dance Play" The Research of the Korean Classic no.27(2013) : 327-369.
Ju, Hyunshik; Sanglan Lee. (Im)Politeness's Cultural Meaning of Yangju Masked Dance Play. The Research of the Korean Classic, 27, 327-369.
Ju, Hyunshik; Sanglan Lee. (Im)Politeness's Cultural Meaning of Yangju Masked Dance Play. The Research of the Korean Classic. 2013; 27 327-369.
Ju, Hyunshik, Sanglan Lee. (Im)Politeness's Cultural Meaning of Yangju Masked Dance Play. 2013; 27 : 327-369.
Ju, Hyunshik and Sanglan Lee. "(Im)Politeness's Cultural Meaning of Yangju Masked Dance Play" The Research of the Korean Classic no.27(2013) : 327-369.
