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Reality, Repetition, and Boundary in ‘The Heungbeop’ of The Heritage of the Three States

  • The Research of the Korean Classic
  • 2020, (48), pp.205-242
  • DOI : 10.20516/classic.2020.48.205
  • Publisher : The Research Of The Korean Classic
  • Research Area : Humanities > Korean Language and Literature > Korean Literature > Korean classic prose
  • Received : January 20, 2020
  • Accepted : February 20, 2020
  • Published : February 29, 2020

Kim Jeong-kyoung 1

1인천대학교

Accredited

ABSTRACT

This article briefly examined S/Z, which is regarded as "Roland Barthes's Best Work." This paper imitated the way Roland Barthes had read/wrote text in order to read ‘The Heungbeop’ of The Heritage of the Three States. This is not a search for facts written in the text, but a rewriting of the process of 'structuring' facts. In Chapter 3, I found that ‘The Heungbeop’ considers people, events, places, and times in a responsive relationship as the truth or the reality. In Chapter 4, I found that the space of the Three Kingdoms had been transmigrated in succession. In Chapter 5, I reviewed the concept of boundaries shown in ‘The Heungbeop’. As a result, I found that the act of building a temple meant setting boundaries and clearing boundaries of Buddha Land. In conclusion, facing the end and the beginning of the law is the performative function of ‘The Heungbeop’. Through this text, Il-yeon expressed the absence of the law and at the same time wanted to bring about the existence of the law.

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