@article{ART002653330},
author={Kang woo kyu},
title={A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok},
journal={The Research of the Korean Classic},
issn={1226-3850},
year={2020},
number={51},
pages={5-29},
doi={10.20516/classic.2020.51.5}
TY - JOUR
AU - Kang woo kyu
TI - A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok
JO - The Research of the Korean Classic
PY - 2020
VL - null
IS - 51
PB - The Research Of The Korean Classic
SP - 5
EP - 29
SN - 1226-3850
AB - This paper examines the shape and meaning of Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok Ji-ran in Imssisamdaerok as embodying the foolish female figure.
They are women who have nothing to lose, and they become the male protagonist’s concubines by sounding the drum by desire for love. However, after marriage, Mokjiran disappears when she is killed by a wicked man, and Chi-Ok Yuk finds his place despite committing evil deeds.
Yuk Chi-ok and Mok Ji-ran show the schematicity and liminality of the foolish woman as a character type. Folly is at the boundary between good and evil, according to Confucian ideology, and a foolish ugly is made other by Confucian ideology, establishing the scheme of “folly = ugliness”.
However, the results of their pursuit of desire are different. This can be understood as being derived from the reality of Hyeonssiyang- ungssanglingi and the ideology of Imssisamdaerok, but the reason can also be found in the boundaries of foolish women. This is because the boundaries of foolish women can be understood as the value of their existence, which is linked to the duality of the Korean novel. Therefore, Yuk Chi-ok, who constantly desires and has boundaries, can survive, but Mok Ji-ran, who has lost the boundaries by conforming to the ideology, disappears.
KW - Foolish woman;liminality;schematicity;Hyeonssiyang-ungssanglingi;Imssisamdaerok
DO - 10.20516/classic.2020.51.5
ER -
Kang woo kyu. (2020). A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok. The Research of the Korean Classic, 51, 5-29.
Kang woo kyu. 2020, "A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok", The Research of the Korean Classic, no.51, pp.5-29. Available from: doi:10.20516/classic.2020.51.5
Kang woo kyu "A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok" The Research of the Korean Classic 51 pp.5-29 (2020) : 5.
Kang woo kyu. A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok. 2020; 51 : 5-29. Available from: doi:10.20516/classic.2020.51.5
Kang woo kyu. "A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok" The Research of the Korean Classic no.51(2020) : 5-29.doi: 10.20516/classic.2020.51.5
Kang woo kyu. A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok. The Research of the Korean Classic, 51, 5-29. doi: 10.20516/classic.2020.51.5
Kang woo kyu. A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok. The Research of the Korean Classic. 2020; 51 5-29. doi: 10.20516/classic.2020.51.5
Kang woo kyu. A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok. 2020; 51 : 5-29. Available from: doi:10.20516/classic.2020.51.5
Kang woo kyu. "A study of foolish women who beat the deungmungo(登聞鼓)－Focusing on Yuk Chi-ok in Hyeonssiyang-ungssanglingi and Mok ji-ran in Imssisamdaerok" The Research of the Korean Classic no.51(2020) : 5-29.doi: 10.20516/classic.2020.51.5
