@article{ART001336658},
author={김미선},
title={A watchman drama studied on the point of view of Reception aesthetics},
journal={The Journal of Korean drama and theatre},
issn={1225-7729},
year={2009},
number={29},
pages={183-216},
doi={10.17938/tjkdat.2009..29.183}
TY - JOUR
AU - 김미선
TI - A watchman drama studied on the point of view of Reception aesthetics
JO - The Journal of Korean drama and theatre
PY - 2009
VL - null
IS - 29
PB - The Learned Society Of Korean Drama And Theatre
SP - 183
EP - 216
SN - 1225-7729
AB - Many of his(Yi Gangbak) drama understanded that an allegory of the political written by 1970s. But That is too much arbitrary and limited definition with political states. This analysis decreased the pleasure of literature and became the insufficiency of imagination. So It would be bring to bounds of ability of literature elevation and internalize of the value of literature.
So This article appeared that literature text is network of meaning in discussion and opend in reinterpretation.
A character in watchman is divided a closed man and opend character. A closed character is fixed character so he showed consistent looks. But a opened character is a dynamic and living existence.
The structure of cycle in promotion of crisis. The promotion of crisis in drama is repeated but it is different beginning and ending. because the states were changed slowly after did over again. And the structure is connected with violence. This drama’s all characters were suffered the violence. And the harmer and suffer’s states were changed and cycled. All watchman’s life were repeated. Because They were absurd in pervert of truth and the state were not changed.
Man is a tragedy being. All characters have a tragic state in A watchman. Because they were absurd in pervert of truth.
To understand A watchman’s allegory is continuous with a political states by 1970s is arbitrary and limited definition. To understand of drama itself A watchman’s allegory is continuous with the tragedy of human being that is universal truth in modern people’s tragedy life. And this way closer to understand the nature of A watchman.
KW - cycle;violence;pervert of truth;crisis;tragedy;open character
DO - 10.17938/tjkdat.2009..29.183
ER -
김미선. (2009). A watchman drama studied on the point of view of Reception aesthetics. The Journal of Korean drama and theatre, 29, 183-216.
김미선. 2009, "A watchman drama studied on the point of view of Reception aesthetics", The Journal of Korean drama and theatre, no.29, pp.183-216. Available from: doi:10.17938/tjkdat.2009..29.183
김미선 "A watchman drama studied on the point of view of Reception aesthetics" The Journal of Korean drama and theatre 29 pp.183-216 (2009) : 183.
김미선. A watchman drama studied on the point of view of Reception aesthetics. 2009; 29 : 183-216. Available from: doi:10.17938/tjkdat.2009..29.183
김미선. "A watchman drama studied on the point of view of Reception aesthetics" The Journal of Korean drama and theatre no.29(2009) : 183-216.doi: 10.17938/tjkdat.2009..29.183
김미선. A watchman drama studied on the point of view of Reception aesthetics. The Journal of Korean drama and theatre, 29, 183-216. doi: 10.17938/tjkdat.2009..29.183
김미선. A watchman drama studied on the point of view of Reception aesthetics. The Journal of Korean drama and theatre. 2009; 29 183-216. doi: 10.17938/tjkdat.2009..29.183
김미선. A watchman drama studied on the point of view of Reception aesthetics. 2009; 29 : 183-216. Available from: doi:10.17938/tjkdat.2009..29.183
김미선. "A watchman drama studied on the point of view of Reception aesthetics" The Journal of Korean drama and theatre no.29(2009) : 183-216.doi: 10.17938/tjkdat.2009..29.183
