2009, Vol.47, No.47

This dissertation examines multi-culture recognition in our society and direction for multi-culture education that our society needs to pursue after, focusing on the human right movies, produced by National Human Rights Commission of Korea under the theme of ‘human right’ for the social weak. Mechanisms in which minority or the weak are ignored and looked down usually include a ‘view point’ that does not accept ‘them’ as one of ‘us’, human beings with the same individuality. This view point of a ‘Cloned orientalism’, which is embedded in us unconsciously, ‘differentiates’ ‘differences’ and is exposed in violent language and action. Also, a gesture of exaggerated ‘kindness’ for multi-culture family can bring out an outcome that will cause other exclusions. The end of human right movies show the mother country of alienated multi-culture families miss. This also needs to be examined, as it could be some imaginary Asia that we imagine. What we, as people who live in multi-cultural society, need to examine is the numerous differences, confrontations and disparity that exists in Asia, as well as where the polyphony can be displayed at its best. Ultimately, the cultural task we all face now is the positive integration, ‘Culture that communicates’. This needs to begin with having sensitive ‘sensibility’ which will endlessly cross-question the awe and respect for human beings. Therefore, a sensitivity training is required in order to induce recognition on responsibility and action, which will help accepting issues that we are numb to or not interested in, as our own problems. Until now, multi-culture education started with a purpose of making sure minority adapt themselves to Korean society as soon as possible. However, now is the time we need to examine whether such a process fails to notice the importance of their cultural identity or inter-cultural communication.

A study of Romance on Modern Reason that explored of Modernity - on Yeomma(艶魔) written by Chae man sig

Kim EunHa | 2009, 47(47) | pp.235~262 | number of Cited : 4

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The pleasure in reading detective fiction is beginning from that a rationally superior detective revives the society in chaos to the normal society finding a criminal through scientific inference at the city where is the field of screams and slaughter. The detective is a modern wise retainer who can pass by the forest surrounded with enemies. The detective competes against to terror that is begun by modernity. In fact, the city is full of dangerous even if it is seen attractively, so then it is full of the possibility of evil that are criminals or alley in being dark and dump and the people of the lower classes who are potential crime. The detective explores modernity based on excellent intellectual ability that is not only coolness but also precise, and fights against to terror that is begun by modernity. Detective fiction is the story that overcomes it as a rational subject finds and investigates subjects what incurring terror. This story is presented that detective fiction is a bildungsroman been the common crowd in which establishes male identity in emotion divided with fascination and terror to modernity. It is the evidence of modern science masculinized that is coolness, cruel, intellect, observation and experiment, inference and colligation, dissection and analysis. Detective fiction is comprehended a cruel journey that is to be a hero, namely a superior individual with blocking up to be pass into his spirit world which is balanced delicately due to grind logical reasoning power by terror, frailty or hot feelings. Yeomma(艶魔) written by Chae man sig presents passionate aspiration that detective fiction is to make a rational and reasonable subject based on scientific literacy, and try to over decadent individualism. However, emotion is considered as an obstacle in a prologue of planing such a rational subject. If it will be remained the rational state, it regards to have to control emotion. It suggests that female has to be excluded and exiled in a prologue of planning a rational subject. It is because a gender of emotion is female. The reason is related with that female has been prescribed as the body why female is emotion.

The Circulation and Transmission of the Folk Tales of Chosunjok

Lim,Chul-Ho | 2009, 47(47) | pp.263~290 | number of Cited : 4

Meaning in Seasonal Songs from an Agricultural Perspective

Kim Wolduk | 2009, 47(47) | pp.291~317 | number of Cited : 4

Korean seasonal songs are constructed with a twelve part framework corresponding to the twelve months of the year and based on the seasonal customs for each month. Times and seasons are important elements of the songs. Researchers have been concerned mostly with structural characteristics, differences in origins and types, and main ideas. This article has written on the assumption that the creation and spread of seasonal songs is primarily based on agricultural culture. The purpose of the article is to demonstrate the directions and meanings from an agricultural perspective. What the purpose and direction of the songs are and when the important season and time are in the songs depends on the writers and singers’ class background and their experiences. The songs written by the learned are aimed at expanding knowledge and reproducing the national ideology of physiocracy (which means a doctrine in which farmers are regarded as essential parts of the country's wealth) under the influence of Confucian teachings from China. On the other hand, the songs that were sung by the people were created out of a need to express themselves and pray related to their daily agricultural life experiences. The two purposes and ideas 【Abstracts】歲時歌謠의 지향성과 농경문화적 의미 317 have been developed over the course of generations based on literacy in the case of the scholars’ songs or orality in the case of the peasants’ songs. The twenty-four solar terms and festive days are related to the most important time in the seasonal songs because they are the materials that produce the meaning and demonstrate the circular conception of time based on the agriculture cycle. Seasonal songs written by the learned express a sense of physiocracy by focusing on the twenty-four solar terms that play a role in the farming calendar. Seasonal songs sung by the people express the people’s popular consciousness in pursuit of the harmony of work and rest by focusing on festive days.

The of Lighting-on of mimeographed version Gok-eo-Dok-Bon(Korean reader) written in 1946 and its’meaning

JunHyung Kim | 2009, 47(47) | pp.319~339 | number of Cited : 0

A Study of Kora’s Chinese character Instruction for a forigner

Jeong, Hun | 2009, 47(47) | pp.341~359 | number of Cited : 9

A Research on the Issues of the Features and Grammatical System of the Korean Grammar for Foreigners 1

Lee Raeho | 2009, 47(47) | pp.361~387 | number of Cited : 2

This thesis aims to examine the relationship between Korean Grammar and Korean Grammar as a Foreign Language, to compare the features of the Korean Grammar for Foreigners 1 as a model of the Korean Grammar, and to clarify the points of adequacy and consistency in its grammatical system. Korean Grammar and Korean Grammar for Foreigners have different teaching targets and aims thus have different descriptive contents and grammatical system. The grammatical category of the Korean Grammar as a Foreigners aims to elevate the communicative ability and because it is concentrated on form and function, it is counted as a unit therefore analyzing its constituents is unnecessary. Moreover, in the adapted grammar for the teaching of Korean Grammar for Foreigners, and in the concrete grammar formation, the grammar education’s effectivity and practicality can be considered and various descriptions and formations are possible. However, excessive narrowing of the communicative function or saying that the relevance of the communicative functions from the Korean 【Abstracts】 한국어 문법의 특징과 체계의 문제점에 대한 연구 387 Grammar System as a Foreign Language is limited to exclude the grammatical units is not advisable. The contents and system of the Korean Grammar for Foreigners 1 does not show any tremendous difference from the contents and system features of the Korean school grammar. Only except the sequence of the macro-construction and microscopic construction compounded syntax – morphology – phonology – pragmatics. Especially featured, as evident at the ending and modal expression, are appropriately harmonized form and function. The Korean Grammar for Foreigners 1 is an attempt to harmonize the form-centered system and the function-meaning-centered system from the grammar description. Therefore, in this book, we can discover the lost issues of the adequacy and consistency from the classification, auxiliary particles, particles, conjunctions and the copula.

My Cultural Learning in Korea : The Highs and Lows

브라이언 | 2009, 47(47) | pp.389~417 | number of Cited : 0

KJCKorea
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Korean Language and Literature 2023 KCI Impact Factor : 0.47

2009, Vol.47, No.47