2014, Vol.56, No.56

Opacity of Vowel Harmony in Adverbial Ending ‘- a’

Kwon,Pyong-Ro , 박종희 | 2014, 56(56) | pp.5~31 | number of Cited : 1

Analysis about the honorific “sir”in Korean era -Taking the honorific “sir”of “the memoir about North Korean Dynasty” for example

LIdan | 2014, 56(56) | pp.33~49 | number of Cited : 0

The Meaning of death in <Hyang-rang Jeon>

Kim Sera | 2014, 56(56) | pp.51~76 | number of Cited : 1

Contemplation On Lee Ok's Travel Essay - Pivot around the aesthetic concept revealed through the method of description -

안은주 | 2014, 56(56) | pp.77~102 | number of Cited : 0

A Study for Identity of Goryeo Sockyo 「Sangjeoga(相杵歌)」

Jeong Hangi | 2014, 56(56) | pp.103~128 | number of Cited : 2

A Study on the Critical Awareness of a Reality in Jeong Eui-Hong's Poetry

KyoShik Kim | 2014, 56(56) | pp.129~156 | number of Cited : 2

Jeong Eui-Hong has written poetry for 30 years since his starting literary career in 1967, until his death in 1996. Those days were an upheaval period on politics, economics, society, and culture. Jeong Eui-Hong puts criticism into his work. His poetry includes experience of reality; however, it is different with engagement poetry of those days. This study is to search the literature characteristic of Chung’s poetry which can be divided into next three characteristics. The first characteristic is that the sexual images are used frequently to express the Critical Cognition. It is because he thought literal artistry importantly that his poetry not only have criticism on the reality also create various image. Especially the sexual images appear remarkable and most of images are not affirmative or productive but pessimistic and immoral. It is because the sexual images used for the poetic filtration equipment which criticizes irrational reality. The second, there are a lot of poetic works that parody the classical literatures with the modern meaning. It shows the desire on ascent of status, the greed on wealth and power, and the explanation on freedom and love with a voice of poetic narrator by the motive of classical literature. The poet offers a satire, a wit and a catharsis by this technique of parody. The third characteristic is that the poetry of Jeong searches the injury of neglected class with modernization and industrialization in the absence of the traditional consciousness. The past time of Jeong, is appeared traditional consciousness that he experienced in youth. The traditional consciousness in the poetry of Jeong Eui-Hong, starts from reminding memory of youth. In his poetry, the reality of rural district is described not as the warmhearted hometown which has been experienced on youth, but as the ruined space with modernization and industrialization.

Korean Traditional narration in Contemporary Novel - focused on “Hon-Bul” -

Yongjae Kim | 2014, 56(56) | pp.157~176 | number of Cited : 2

A study on the Situation and Sustainability of the Rituals for the Village Guardians in Geomun-do

KIMJUNOK | 2014, 56(56) | pp.177~198 | number of Cited : 3

Gender Subalterns Phase in the Son Chang-seop’s Novels

Kim Hongjin | 2014, 56(56) | pp.199~228 | number of Cited : 6

Baek Seok's Poetry and His Topophilia

Yongmoo Noh | 2014, 56(56) | pp.229~260 | number of Cited : 15

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Plan for Utilizing Garam Literature Museum as City Brand

PARK YOUNG WOO | 2014, 56(56) | pp.261~288 | number of Cited : 6

A Study on Frames of Poems in South Korea Published in 『Joseon Literature』

PARK JI HAK | 2014, 56(56) | pp.289~315 | number of Cited : 0

When it comes to a general characteristic of poems written in North Korea in the 1990’s, how the poems metaphorically recognized the country as a father was the prominent feature of all. In the 1990’s, North Korea published poems written in South Korea, and the purpose of this act was considered a way to express a particular frame which the North Korean system was pursuing back then. A frame would be described in a form of metaphor which would understand and experience one individual object from an angle of another individual object, and because of that, all those frames developed from one single frame would have to go through a process of metaphor. In that regard, in terms of poems written in North Korea in the 1990’s, a frame of ‘suppression’ produced by a process of metaphor was regarded to create another frame of ‘liberation’. A total of 19 poems were included in 『Joseon Literature』 under a name of <South Joseon>, and all those poems were using the same frame, ‘suppression’. The poems, written in South Korea but included in 『Joseon Literature』 in the 1990’s, criticized the imperialism, which was working as a politically external pressure in North Korea, and found a cause of the division from the imperialism. The critical review on the imperialism and the frame of suppression internalized in the awareness of division produced frames of suppressed individuals, pains and liberation from pains as well as other frames of freedom, hope and will. In the poems speaking of contradictions of the society in South Korea, such will to liberation implicitly described a frame of how necessary it is to have a leader. The security of the justice of the system was found collectively in songs for KIM Jeong-il after the death of KIM Il-sung. While presenting the songs for KIM Jeong-il in a frame of <South Joseon>, this led people in North Korea to form a bond of ideological sympathy. The poems written in South Korea but included in 『Joseon Literature』 in the 1990’s spoke for domestic and foreign political issues even though they were based on the self-reliance. This feature of the poems written in South Korea but included in 『Joseon Literature』, therefore, acted as a way for North Korea to make its people understand the appropriateness of the presence of a leader during the transfer of power.

The New Woman's of Love and Freedom of Divorce - Focus on Kim Myeong-sun's 「I Love」-

Song, Myunghee | 2014, 56(56) | pp.317~341 | number of Cited : 6

A Study on the perception of reality of Kim jong-sam's poetry in Cognitive Poetics

신현미 | 2014, 56(56) | pp.343~362 | number of Cited : 6

In this study, I consider the perception of reality that is displayed in the Kim jong-sam's poetry. And, there is a purpose that take a look at the poetic consciousness of ego and its corresponding Through the methodology of cognitive poetics. In particular, I have noted that there is a close relationship to the formation of meaning and to the technical aspects of language form in Kim jong-sam's poetry. The trend of research of existing Kim jong-sam's poetry had been separated by the aesthetic achievement and centered on the meaning. In studies using cognitive poetics can be integrated to it. Reality that appeared in poetry of Kim jong-sam are those tragic. Ego has been recognized as a tragic reality and it is possible to know that he have the sense of alienation From poetry, "The Gardener" and "landscape" in particular. The formation of this recognition are involved techniques characteristic as conceptual metaphor and image-scheme. It has been extended to the spatial features of ego consciousness alienation that peripheral directivity. On the other hand, I focus on the poetry that was material to the weak. I analyze the meaning to this reality and recognition of poetic ego. Here, the language formal feature of poetry is formed on the basis of concept of a figure/ground. In particular, to explore the focus on poetry two have the form of language that is abstinence attitude of self that corresponds to reality is similar. Reality which appeared in the "civilian" is something inhuman. On the surface of the poetry, and the incident space is located when the special concrete. However, in the other side, ethnographic tragic are figuration conceptually. Then, it is possible to understand that the tragedy is ongoing. The "The ink painting" is figuration to life of alienation hierarchy. It presents a humanism attitude to keep the life.

A Study of the novel 「CORN AND I 옥수수와 나」 by Young-Ha, Kim

Sangwoo Lee | 2014, 56(56) | pp.363~382 | number of Cited : 0

「CORN AND I 옥수수와 나」 by Young-Ha, Kim is a novel with an embodiment about the famous 'joke' of the fool in the book of Zizek which philosophy is interpreted as a cultural aspect. These days, a cultural understanding becomes understanding of Zizek. This novel is an easy guide of Zizek's philosophy and it embody his philosophy in the novel. Young-Ha, Kim says that a person who has an objective belief is the Symbolic person. He is the one who acts like the Other and knows very well about producing and reproducing the power. Moreover, he is a owner of the publishing company which suppresses the pure subject. Like an organized and detailed plot, he is a person who has actualized well about properties of modern capitalism under a thorough consideration of input and output. He criticized the realities of the writer which were suppressed by the condition and an ideological fantasy of the capitalism. So, society has to have a fantasy for limiting the reality of society to maintain the world. For that, it becomes a factor for the suppression on entering the Real and the Imaginary. If a belief remains as psychical and subjective one, he will be regulated and might be endangered on an irrational world. However, this kind of an irrational world can appear a selective subject by opposing and stirring up the power of the Other. It comes out as a vital factor of the life with a choice of the subject who is free from the custom and restriction. An irrational world is the Real. Moreover, it is not possible when the world is registered by the Other who shows the symbolical force of the law. This is a criticism from Young-Ha, Kim about the reality stated below. The reality of the Other which is maximized with a symbolical effect is considering one capital ideology. Moreover, it is possible when father's law and language is identified while bringing in that place. The writer in psychical and subjective condition of belief could be played on reality. And the Third World, which can be a surrounding or outskirts country, is on the situation that could be used and exploited by the middle, and main capitalism where a capital power is produced and consumed.

A Study on Blending Space of 'Moutian' and 'Bird' in Shin Seok Jeong's the early part Poetry

정유미 | 2014, 56(56) | pp.383~400 | number of Cited : 3

You, I, Inside of me, we - To read 「Mujingihang」 -

Huh, Kwan moo | 2014, 56(56) | pp.401~421 | number of Cited : 4

Considering tendency of college writing studies from correction method of teaching and revision.

JOO MINJAE | 2014, 56(56) | pp.423~453 | number of Cited : 23

KJCKorea
Journal Central

Korean Language and Literature 2023 KCI Impact Factor : 0.47

2014, Vol.56, No.56