2017, Vol.64, No.64

The Significance of Pavilions along the Tamjin River in Jangheung for Local Literature

KIMJUNOK | 2017, 64(64) | pp.5~34 | number of Cited : 1

There are eight pavilions along the Tamjin River of Jangheung. They are Changnang Pavilion, Sain Pavilion, Dokchui Pavilion, Buchun Pavilion, Dongbaek Pavilion, Yongho Pavilion, Gyeongho Pavilion, and Yeonggui Pavilion. All of the eight pavilions were constructed in early Joseon Dynasty, but lost until they were rebuilt around the 19th Century. Many literature activities began at that time to produce many literary tablets. This study was conducted to clarify the literary substantiation and significance of these tablets. The tablets of essays and poetry showed that the Tamjin River was valued as equally important as the Dongjiang River or Kisu of China and The surroundings were also referred to as Mt. Buchun and Muwoo. Here, we can see an aspect of literature. Based on an analysis of literary tablets, the substance and significance of pavilions along the Tamjin River within local literature are as follows: First, the eight pavilions were used for literary networks beyond the solidarity of local clans. This is proven by the poetry societies that promoted the eight pavilions one by one. The societies include: Nanjeonghoe, Pungyeonggye, Sangyeonggye, Jeongsagye, Hyangsahoe, Nagyanghoe, Jukgyehoe, Yangsagye, and Gangchingye. The writers who participated in those societies organized a literary community. Second, local writers promoted their literary activities using the eight pavilions as their secluded hideouts. In the 19th century, the local region was very actively engaged in society, but the tablets of the writers who visited the eight pavilions did not show this tendency. This was a paradox to escape from the reality. Third, most poems described the mountains and rivers around the pavilions with rather factual depictions. The writers became one with nature within the literary space of the riverside pavilions despite the fast-paced social circumstances of the 19th century. The poetry depicting the eight pavilions existed as differentiated local literature of a community. In order to identify the substance and significance of local literature, it is necessary to divide the region into several towns and study each genre, time, and writer separately to combine and compare the findings. In this respect, the findings of this study would be critical for identifying the local literature of Jangheung.

The Aspects of Media and Regional Literature of Busan & Gyeongnam Province in the Modern Times

Lee, Soon-Wook | 2017, 64(64) | pp.35~59 | number of Cited : 3

The publication of a newspaper magazine medium has a decisive influence on the literary production and enjoyment in the modern times. This implies that it is necessary in studying Korean regional literature to draw the cultural map which is made of all the magazine media. For the first half of the 20th century various magazine media had played the vehicle role of literary struggles among the writers in Busan-Gyeongnam province. In other words, literary media had been in the core of local literary societies or associations. Thus, this study aims to elucidate the reality and history of relations between literary media and regional literature for further studies on the characteristics of literary works and writers’ life in the same area. The results of this study are as follows: 1. In the area had there been various literary media. Every medium was published by a specific writer and it played the role of vehicle through which writers presented literary works that suited to the publisher’s taste or emotion during the period under the Japanese colonial rule of Korea. Thus, most the literary activities during the period could be evaluated as those of the like-minded literary society or circle. There was an exceptional city in which several literary media had conveyed non-regional writers whose basis were in Seoul. 2. There was a notable change on the characteristics of those literary media during the Liberation period. Most publishers and their followers had used their own literary media as the vehicle of ideological struggle against those who were standing on the opponent point of politics, as well as the taste or knowledge about literature. Thus, most the literary activities during the period could be evaluated as those of literary media struggle among the different-minded literary associates. In other words,literary media had played the vehicle of aggravating the ideological division of Korean people, especially the local residents. These results could be helpful for us to cultivate a new vision of approach to the Busan & Gyeongnam’s regional literature.

The study on ‘gwigok, gwidong, bongseong’ appeared in wanpanbon imprints

Lee Tae Yeong | 2017, 64(64) | pp.61~86 | number of Cited : 0

Characteristics and meanings of Yoon Se-Pyeong’s Scenario - Base on Yoon Se-Pyeong’s Scenario「ParkYeonam」

Kim, Bong-Hee | 2017, 64(64) | pp.87~123 | number of Cited : 1

A Study on Globalization and Semantic Aspect of Minority Poem — Focusing on the Poem Choi, Jongcheon · Park, huki · Ha, jongo

Kim Hongjin | 2017, 64(64) | pp.125~152 | number of Cited : 0

A Study of Romantic adoration and Ontological anxiety in Lee Kwang-woong's poetry

Moon, Shin | 2017, 64(64) | pp.153~178 | number of Cited : 1

The Study on the Aspects of Conflicts of the ‘Speaking Agent’ in the Poetry of Kim, Myeong-Soon

BAE OK JU | 2017, 64(64) | pp.179~211 | number of Cited : 5

We have seen that the ‘speaking subject’ in Kim’s works is considered as a ‘poetic narrator’ and the poet herself in many discourses about Kim’s poetry. The descriptor in the work is a narrator and the descriptor outside of the work is a poet; these two share roles to create poetic statements, which is the process of a poet performing articulation in the persona of a narrator. Therefore, the ‘speaking subject’ shows the poet’s world-view through the narrator who speaks in the poem. This paper aims to focus on the psychological conflict of the ‘speaking subject’ shown in Kim’s autobiographical works. Kim is one of the first female poets who actively recognized narcissism and free will as a modern woman and a pioneer of modern literature. Historically, Kim was under harsh circumstances, which was a positive momentum for her to dedicate herself to writing. Kim seems to have devoted herself actively to literature in order to bail out from the tyranny of modern male intellectuals and from the victim mentality caused by her origin. The conflict aspects of the ‘speaking agent’ appears as a monologue in anguish directed internally in early periods, but they become aggressive and show anger in the voice of the ‘speaking agent’ to the external world after the middle periods. This is not because of her amateurishness but because of her strategy. It would not have been as easy for her to show the painful reality like her origin or date rape as it is in her poetry. Instead, she chooses to show the common aspects of the experiences repeatedly to remind the readers of her situation so that her works can constantly demure the malicious views and discourses. It seems that Kim tried to overcome the situation by expressing her will of creation conceived from by her fate. After the middle periods, her poetry shows the conflicts of her identity as a citizen of Japanese colony, which appears as self-isolation and self-negation. This can be interpreted as a defense mechanism, expressing her experiences honestly in order to be confident. She went one step further and showed pity and regret for her mother, whom she denied as her origin, to return to her maternal instinct as a way to self-salvation. This indomitable will of the ‘speaking agent’ functions as a motive to survive the difficulties of her time.

An Exploration on the Meaning of Desire in Novel Education

Yu Ri | 2017, 64(64) | pp.213~241 | number of Cited : 4

A Study on the Arrangement and Garamhak's future Direction for the Publication of Garam (嘉藍) Lee Byeong-gi's (李秉岐) Complete Works

Lee Kyeong ae | 2017, 64(64) | pp.243~279 | number of Cited : 8

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The subject of this study is the arrangement of the works for the publication of Garam Lee Byeong-gi’s complete works and the direction for developing the study of Garam. The publication of Garam Lee Byeonggi’s complete works is to investigate, collect, arrange, and publish all his works that he wrote during in his lifetime, that is, all his separated volumes and all materials that were published in newspapers and magazines. Garam Lee Byeong-gi’s complete works will be published in October 2017. The volumes that will be published in Garam Lee Byeong-gi’s complete works are two sijo collections, a volume of sijo theory, a volume of Korean literature history, a volume of an outline of Korean literature, eight annotated books, six translation books and the selections, 11 textbooks, two bibliography, one history book for children, the handwritten diaries (49 notebooks), and one notebook of archaic words. They are in total 35 kinds of books. Also, if about 850 writings published in over 118 newspapers, magazines, and scholarly journals and 47 school songs are added, all materials amount to about 930 pieces of writing. These vast and different works will be printed in compilation which will be made up of all 25 volumes, The publication of complete works and the result of this study will be the foundation of the study of Garam, allowing the whole aspect of Garam’s writings to be grasped. Thereby, we will be able to discuss the world of learning, so-called the study of Garam in earnest, The study of Garam helps to secure the opportunity to search the independent Korean studies and literature in 21st century and activate the convergent study of centering the Korean language and literature. Also, the popularization of the study of Garam makes it possible to use culture contents with unlimited knowledge and imagination

Phonological Education about the ‘ㆁ’(/ɴ/)-epenthesis

Park Jong-hee | 2017, 64(64) | pp.281~305 | number of Cited : 1

A study on the direction of development of Korean school management model in Europe

Jeon han sung , Min jung ho | 2017, 64(64) | pp.307~329 | number of Cited : 4

Uses of Multimodal Text in Mobile Circumstances - focus on texts in slide

JOO MINJAE | 2017, 64(64) | pp.331~360 | number of Cited : 10

Korean Language Textbooks during the liberation period and Young generation Discourse -Centered on the middle school Korean textbooks

Choi Yang-woo | 2017, 64(64) | pp.361~391 | number of Cited : 0

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Korean Language and Literature 2023 KCI Impact Factor : 0.47

2017, Vol.64, No.64