@article{ART001263281},
author={Ha, Yun-sub},
title={Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>)},
journal={Korean Language and Literature},
issn={1229-3946},
year={2008},
volume={44},
number={1},
pages={285-304},
doi={10.23016/kllj.2008.44.1.285}
TY - JOUR
AU - Ha, Yun-sub
TI - Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>)
JO - Korean Language and Literature
PY - 2008
VL - 44
IS - 1
PB - 국어문학회
SP - 285
EP - 304
SN - 1229-3946
AB - Many recent researches and studies about the "Nochunyeo-ga: the Song of the Spinster" have been in progressed, but there are still many controversial issues. The writer of this paper stresses a few points on the basis of the inner logical grounds. For instance, firstly we cannot assume the speaker as a man in the piece, secondly people have standardized the subject of this piece for a while, so it is true that many repetitive and contentious discussions have been happened. Thirdly the writer focuses on the people who enjoyed this kind of song and also who can be checked in real.
For these things, on the chapter 2 , the writer insists that the speakers' experiences can be differentiated by the gap between personal experiences and situations, and tries to prove this opinion demonstrating "Sasulsijo: Dalbaja jjangjjang" which is assumed to be very related to "the Song of the Spinster" Moreover, the writer considers thoughtfully that the interpretation of this piece might be changed depending on the people who enjoyed the song. Because those people have not be found for certain yet.
On the chapter 3, the writer concentrates on the demonstration which can prove there might be certain common facts between "Gyubang gasa: the literature or song about the women's life, especially a kind of Tansik-ga : the song of the lament" and "Nochunyeo-ga" As a result, the writer noticed that there are some common rules between "Tansik-ga" and "Nochunyeo-ga"; The "I" who am suppressed by others criticise others very severely and those minds are turned up the language of Lament.
On the basis of these facts, writer claims that the "Nochunyeo-ga", which was mostly enjoyed by the women in Chosun dynasty, doesn't show that the song was the target of criticism by a male writer, but it shows us the song was the approval of self-examination and self-pity.
KW - Nochunyeo-ga(老處女歌(1));Gyubanggasa(규방가사);Diversity of Poetical experience;Tansikgaryu(탄식가류);self-examination;self-pity;lament
DO - 10.23016/kllj.2008.44.1.285
ER -
Ha, Yun-sub. (2008). Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>). Korean Language and Literature, 44(1), 285-304.
Ha, Yun-sub. 2008, "Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>)", Korean Language and Literature, vol.44, no.1 pp.285-304. Available from: doi:10.23016/kllj.2008.44.1.285
Ha, Yun-sub "Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>)" Korean Language and Literature 44.1 pp.285-304 (2008) : 285.
Ha, Yun-sub. Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>). 2008; 44(1), 285-304. Available from: doi:10.23016/kllj.2008.44.1.285
Ha, Yun-sub. "Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>)" Korean Language and Literature 44, no.1 (2008) : 285-304.doi: 10.23016/kllj.2008.44.1.285
Ha, Yun-sub. Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>). Korean Language and Literature, 44(1), 285-304. doi: 10.23016/kllj.2008.44.1.285
Ha, Yun-sub. Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>). Korean Language and Literature. 2008; 44(1) 285-304. doi: 10.23016/kllj.2008.44.1.285
Ha, Yun-sub. Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>). 2008; 44(1), 285-304. Available from: doi:10.23016/kllj.2008.44.1.285
Ha, Yun-sub. "Diversity of Poetical experience and Nochunyeo-ga(<老處女歌(1)>)" Korean Language and Literature 44, no.1 (2008) : 285-304.doi: 10.23016/kllj.2008.44.1.285
