@article{ART002063669},
author={Kim, Tai-woong},
title={Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’},
journal={Korean Language & Literature},
issn={1229-1730},
year={2015},
number={95},
pages={181-205}
TY - JOUR
AU - Kim, Tai-woong
TI - Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’
JO - Korean Language & Literature
PY - 2015
VL - null
IS - 95
PB - Korean Language & Literature
SP - 181
EP - 205
SN - 1229-1730
AB - Early 18th century song book the Chungguyoungeon, Hadonggayo, etc. a variety of music that seems to have been organized in a very systematic. However, a large number of works are either listed on Isakdaeyeop are listed in Manhoengchungru.
The music of the 18th century was a time of songs that were open distinctive how to sing without development in various ways. This can be seen through gyerangjo(桂娘調), Leesechun jeonchang(傳唱), Mogdansung(牧丹聲), Songsilsol(宋蟋蟀).
In contrast, a song book late 18th century and early and mid 19th century, 'Dugeo'', 'Junggeo', 'pyeonggeo', 'banyeop', various songs are created. This is a song that is derived from Isakdaeyeop. In addition, Manhoengchungru also creates a variety of derivative song. The flow in this period appears early and mid 18th century, and other aspects such as song books compiled by the occurrence of unusual music, or the music that combined several musical sound emerged.
In particular, It is very difficult to identify the nature of the song book because of Sakdaeyeop of Byunhwagagokjip, Yuldangdaeyeop of Akbu of Seoul university, Gakjoeum of Heungbibu.
This song is a song book, song books three books, but that is meaningful in itself. Thus away from traditional visual look at the Gajip from the perspective of the most important characteristics of 'Song Book' in the Gajip study it achieved a better future.
KW - Sakdaeyeop;Yuldangdaeyeop;Gakjoeum;Byunhwagagokjip;Akbu of Seoul university;Heungbibu
DO -
UR -
ER -
Kim, Tai-woong. (2015). Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’. Korean Language & Literature, 95, 181-205.
Kim, Tai-woong. 2015, "Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’", Korean Language & Literature, no.95, pp.181-205.
Kim, Tai-woong "Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’" Korean Language & Literature 95 pp.181-205 (2015) : 181.
Kim, Tai-woong. Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’. 2015; 95 : 181-205.
Kim, Tai-woong. "Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’" Korean Language & Literature no.95(2015) : 181-205.
Kim, Tai-woong. Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’. Korean Language & Literature, 95, 181-205.
Kim, Tai-woong. Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’. Korean Language & Literature. 2015; 95 181-205.
Kim, Tai-woong. Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’. 2015; 95 : 181-205.
Kim, Tai-woong. "Consideration for the flexible a tune such as ‘Sakdaeyeop’, ‘Yuldangdaeyeop’, ‘Gakjoeum’" Korean Language & Literature no.95(2015) : 181-205.
