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Kim Deuk-yeon(金得硏)'s Gye(契) gathering and Writing Context of ‘Sanjungjapgok(山中雜曲)’

Lee SeungJun 1

1충북대학교

Accredited

ABSTRACT

This study aims to establish a theoretical base for trying to analyze “Sanjungjapgok(山中雜曲)” by examining the context of creation of “Sanjungjapgok(山中雜曲)” focusing on Kim Deuk-yeon(金得硏)'s Gye(契) gathering. Today, “Sanjungjapgok(山中雜曲)” is considered as a work that reflects the development of siga(詩歌) history in the 16th and 17th century, but has not been able to draw a certain consensus within the dual aspects of succession and change in the prospects of the previous era. Therefore, the understanding of “Sanjungjapgok(山中雜曲)” faces the situation to overcome the problematic prospect of the history of research. For this purpose, This study pays attention to the review of the Gye(契) gathering, which has a certain consensus as the basis of the creation of “Sanjungjapgok(山中雜曲)”. If “Sanjungjapgok(山中雜曲)” was enjoyed by the performance of particular group, the orientation of the work would be carried by the character of the group. This study examines the context of the creation of “Sanjungjapgok(山中雜曲)” on the basis of two things. At first, ‘NakGye gathering(洛契會)’ and ‘Gwangsan Kim family’s gathering(光山金氏姓會)’ that belong to Kim Deuk-Yeon were group activities that responded sensitively to the social historical environment of ‘Andong region’ in the 17th century. Second, the two groups show a character that can be distinguished on a certain level. As the result, This study set up two premises for understanding “Sanjungjapgok(山中雜曲)” based on the orientation of ‘NakGye gathering(洛契會)’ and ‘Gwangsan Kim family’s gathering(光山金氏姓會)’. At first, ‘NakGye gathering(洛契會)’ was operated for the purpose of enhancing collectivity by establishing the ethics tradition arranged from the previous era. This is closely related to the ethical orientation in “Sanjungjapgok(山中雜曲)”. Secondly, ‘Gwangsan Kim family’s gathering(光山金氏姓會)’ was operated for the purpose of realization the moral laws in response to the ideological crisis of the collapsed Joseon and Andong after Imjin war. This appeared to enhance a sense of solidarity by causing pleasure among the members of groups in “Sanjungjapgok(山中雜曲)”. Therefore, This study would like to carry out a follow-up work on the detailed analysis of individual works of “Sanjungjapgok(山中雜曲)” on the basis of such creative context.

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