@article{ART002727920},
author={Yu JeongRan},
title={Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century},
journal={Korean Language & Literature},
issn={1229-1730},
year={2021},
number={117},
pages={89-118},
doi={10.21793/koreall.2021.117.89}
TY - JOUR
AU - Yu JeongRan
TI - Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century
JO - Korean Language & Literature
PY - 2021
VL - null
IS - 117
PB - Korean Language & Literature
SP - 89
EP - 118
SN - 1229-1730
AB - This study considered the problem of women’s accepting Sijo based on the Ga-ttu(歌鬪) of the first half of the 20th century. Playing game of Ga-ttu, which utilizes Gosijo, was a new-culture that appeared in the early 1920s and grew closely related to the women’s culture. Nevertheless, the relationship between Ga-ttu and women has not been carefully addressed in prior discussions.
In response, Chapter 2 examined the situation in which women emerged as the leading figure in the culture of Ga-ttu in the first half of the 20th century through the formation of Ga-ttu cards and the planning of Ga-ttu competitions. Ga-ttu, which began in the early 1920s, became a major culture for women under the auspices of influential media, and became more solidified in the 1930s. In particular, around the late 1930s, Ga-ttu gained its status as a folk culture of Joseon, which was possible because women’s demand for Ga-ttu was not small. As such, in the first half of the 20th century, Ga-ttu was a hobby culture that was very close to women’s lives.
In Chapter 3, women were interested in Sijo works that were actually accepted and enjoyed by women through Ga-ttu, and the Sijo contained in the Ga-ttu card was analyzed according to the content motif. Ga-ttu producers focused on works that fit their emotions more to make Ga-ttu a woman’s hobby. Works depicting natural landscapes or on the theme of pleasure, and the subject of love were typical. Then, from the mid-1920s, a sense of history was reflected in Ga-ttu and a sense of instruction was also instilled. Considering women’s tastes, they were called active consumers of Ga-ttu culture, while naturally learning cultural knowledge and lessons. This shows that in the first half of the 20th century, Ga-ttu was used as a tool for women’s noble hobbies, as well as a channel for knowledge, information, and education.
KW - Ga-ttu(歌鬪);Play of Sijo;in the First Half of the 20th Century;Women;Acceptance of Sijo.
DO - 10.21793/koreall.2021.117.89
ER -
Yu JeongRan. (2021). Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century. Korean Language & Literature, 117, 89-118.
Yu JeongRan. 2021, "Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century", Korean Language & Literature, no.117, pp.89-118. Available from: doi:10.21793/koreall.2021.117.89
Yu JeongRan "Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century" Korean Language & Literature 117 pp.89-118 (2021) : 89.
Yu JeongRan. Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century. 2021; 117 : 89-118. Available from: doi:10.21793/koreall.2021.117.89
Yu JeongRan. "Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century" Korean Language & Literature no.117(2021) : 89-118.doi: 10.21793/koreall.2021.117.89
Yu JeongRan. Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century. Korean Language & Literature, 117, 89-118. doi: 10.21793/koreall.2021.117.89
Yu JeongRan. Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century. Korean Language & Literature. 2021; 117 89-118. doi: 10.21793/koreall.2021.117.89
Yu JeongRan. Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century. 2021; 117 : 89-118. Available from: doi:10.21793/koreall.2021.117.89
Yu JeongRan. "Women’s Acceptance of Sijo in Ga-ttu(歌鬪) in the First Half of the 20th Century" Korean Language & Literature no.117(2021) : 89-118.doi: 10.21793/koreall.2021.117.89
