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A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –

  • The Korean Journal of Dance Studies
  • Abbr : KRSDS
  • 2021, 81(1), pp.41-55
  • DOI : 10.16877/kjds.81.1.202103.41
  • Publisher : The Korean Society for Dance Studies
  • Research Area : Arts and Kinesiology > Dance
  • Received : February 15, 2021
  • Accepted : March 11, 2021
  • Published : March 30, 2021

Wang, Zi-Mo 1 Cho, Eun Sook 2

1중앙대학교
2중앙대학교 예술대학 무용전공 교수

Accredited

ABSTRACT

In order to study the surrealism in the Family Trilogy of the Peeping Tom Dance Company, this research centers on the video materials and literature materials of these three works. The Peeping Tom dance troupe in this study has been conveying a certain message to the audience through a surreal expression. The work 「Vader」 expresses the real human heart and the surrealism of desire through the combination of realistic and non-realistic dream scenes. 「Moeder」 also uses the combination of reality and non-reality to create a dream-like stage atmosphere. In addition, the work 「Kind」 also makes use of irrational violent scenes to show the audience an irrational surrealism stage scene that breaks away from moral constraints. This examination illuminates the Family Trilogy has the characteristics of surrealism, and also reflects the influence of surrealism on the style of dance works and has long-term significance for future dance creation.

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