@article{ART002697825},
author={Wang, Zi-Mo and Cho, Eun Sook},
title={A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –},
journal={The Korean Journal of Dance Studies},
issn={1226-900X},
year={2021},
volume={81},
number={1},
pages={41-55},
doi={10.16877/kjds.81.1.202103.41}
TY - JOUR
AU - Wang, Zi-Mo
AU - Cho, Eun Sook
TI - A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –
JO - The Korean Journal of Dance Studies
PY - 2021
VL - 81
IS - 1
PB - The Korean Society for Dance Studies
SP - 41
EP - 55
SN - 1226-900X
AB - In order to study the surrealism in the Family Trilogy of the Peeping Tom Dance Company, this research centers on the video materials and literature materials of these three works. The Peeping Tom dance troupe in this study has been conveying a certain message to the audience through a surreal expression. The work 「Vader」 expresses the real human heart and the surrealism of desire through the combination of realistic and non-realistic dream scenes. 「Moeder」 also uses the combination of reality and non-reality to create a dream-like stage atmosphere. In addition, the work 「Kind」 also makes use of irrational violent scenes to show the audience an irrational surrealism stage scene that breaks away from moral constraints. This examination illuminates the Family Trilogy has the characteristics of surrealism, and also reflects the influence of surrealism on the style of dance works and has long-term significance for future dance creation.
KW - Surrealism;Peeping Tom Dance Company;André Breton;Reality and non-reality;Unconsciousness
DO - 10.16877/kjds.81.1.202103.41
ER -
Wang, Zi-Mo and Cho, Eun Sook. (2021). A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –. The Korean Journal of Dance Studies, 81(1), 41-55.
Wang, Zi-Mo and Cho, Eun Sook. 2021, "A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –", The Korean Journal of Dance Studies, vol.81, no.1 pp.41-55. Available from: doi:10.16877/kjds.81.1.202103.41
Wang, Zi-Mo, Cho, Eun Sook "A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –" The Korean Journal of Dance Studies 81.1 pp.41-55 (2021) : 41.
Wang, Zi-Mo, Cho, Eun Sook. A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –. 2021; 81(1), 41-55. Available from: doi:10.16877/kjds.81.1.202103.41
Wang, Zi-Mo and Cho, Eun Sook. "A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –" The Korean Journal of Dance Studies 81, no.1 (2021) : 41-55.doi: 10.16877/kjds.81.1.202103.41
Wang, Zi-Mo; Cho, Eun Sook. A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –. The Korean Journal of Dance Studies, 81(1), 41-55. doi: 10.16877/kjds.81.1.202103.41
Wang, Zi-Mo; Cho, Eun Sook. A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –. The Korean Journal of Dance Studies. 2021; 81(1) 41-55. doi: 10.16877/kjds.81.1.202103.41
Wang, Zi-Mo, Cho, Eun Sook. A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –. 2021; 81(1), 41-55. Available from: doi:10.16877/kjds.81.1.202103.41
Wang, Zi-Mo and Cho, Eun Sook. "A Study on the Characteristics of Surrealism in the Works of Peeping Tom Dance Company – Focusing on 「Vader」, 「Moeder」and 「Kind」in the Family Trilogy –" The Korean Journal of Dance Studies 81, no.1 (2021) : 41-55.doi: 10.16877/kjds.81.1.202103.41
