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A Study of Heung-Taryoung-Sijo(興打令 時調) in The Daehan-Maeil-Shinbo(大韓每日申報)

  • The Studies in Korean Poetry and Culture
  • Abbr : Korean Poetry and Culture
  • 2007, (20), pp.27-63
  • Publisher : The Society of Korean Poetry and Culture
  • Research Area : Humanities > Korean Language and Literature

Kuk Yun Ju 1

1전남대학교

Accredited

ABSTRACT

A Study of Heung-Taryoung-Sijo(興打令 時調) in The Daehan-Maeil-Shinbo(大韓每日申報) Kuk, Yun-ju This study aims to explore the significance of Sijo in newspaper through drawing principles from the stylized characteristic of Heung-Taryoung-Sijo(興打令 時調) and the aspect of communication with subscribers in Daehan-Maeil-Shinbo(大韓每日申報). Daehan-Maeil-Shinbo spreaded the discourse of independence and patriotic enlightenment through various forms of Sijo. The editors designed an adaptation and acceptance of folk songs in order to enlighten the masses and Heung-Taryoung-Sijo derived from its various processes. Heung-Taryoung-Sijo is a mixture of a strong fixed form and open. It also shows us contrary attributes, the object of singing and reading. Heung-Taryoung-Sijo consists of traditional Sijo and Heung-Taryoung folk song. In Heung-Taryoung-Sijo whose structure is same to folk songs, there is a principle of identification which binds newspaper and the masses together through leading the masses to participate in text. Heung-Taryoung-Sijo was arranged at the bottom of the first page and functioned as a gateway of information based on its characteristic of form. So it strengthened the function of newspaper, the space of public opinion, and popularized indignation of the general public. In conclusion this study draws dynamic changes of Sijo from Heung-Taryoung-Sijo.

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