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Study of the Rise and Fall of Chinese Poetry(漢詩) since Independence from Japan

  • The Studies in Korean Poetry and Culture
  • Abbr : Korean Poetry and Culture
  • 2007, (20), pp.153-180
  • Publisher : The Society of Korean Poetry and Culture
  • Research Area : Humanities > Korean Language and Literature

김영붕 1

1전주 완산고등학교

Accredited

ABSTRACT

Study of the Rise and Fall of Chinese Poetry (漢詩) since Independence from Japan Kim, Young-bung Chinese poetry began to be considered the poems of Korea in the later part of the Chosun Dynasty. Three famous poets in particular, who were called "three master poets of Honam(湖南三傑)", led energetic creative activity mainly in Jeonbuk province. Thanks to them writing and reciting Chinese poetry became a cultural entertainment for ordinary people in Jeolla province. Zisan(芝山) and his son, Dunam(杜南), who lived in the period under the rule of Japan and after the independence from Japan respectively, left a collection of Chinese poems, concerned with the lives of the common people. Dachon(茶村) and Songnam(松南) have written Chinese poetry at Paesongsisa(沛城詩社) in Jeonju. We also know that Chinese poetry is still written across Korea through the Chinese poetry contest held recently in Jeongup city; however, it is not so popular as in the past. In the 1900s Chilanyulsi(七言律詩) was established with Maechon(梅泉) as the central figure and in the 1940s (the time of Zisan) Chilonyulsi(七言律詩) was popularized. In the 1980s(the time of Dachon and Songnam) many phenomena appeared; the trial to revive Chilonyulsi(七言律詩), the use of western rhyme and scientific analysis, its adoption as a major subject in colleges, and the establishment of Chinese poetry societies.

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