@article{ART001275635},
author={이정옥},
title={Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-},
journal={The Studies in Korean Poetry and Culture},
issn={2466-1759},
year={2008},
number={22},
pages={259-282}
TY - JOUR
AU - 이정옥
TI - Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-
JO - The Studies in Korean Poetry and Culture
PY - 2008
VL - null
IS - 22
PB - The Society of Korean Poetry and Culture
SP - 259
EP - 282
SN - 2466-1759
AB - 1971, CHO, Ae-Yung initially from her book 'current Naebang-Gasa' Used the terminology which is, neither the what kind of interest was visible from the Korean classical literature academic world. Until currently the Naebang-Gasa relation research of the most which is accumulated in the academic world suspicion do not try the fact that the Naebang-Gasa data are data of Chosun Dynasty especially as is not to become accomplished, consequently Naebang-Gasa , or about the Naebang-Gasa only category of classical literature of one past perfect style the fact that has become the discussion is fact. But the sample from, like is investigated and put out the Naebang-Gasa an economic development and an informationalization revolution and even in hump one simultaneous strong point freezing, to pass by a Korean war time, accomplished a strong victory and power even until the 21st century present time had became came the enjoyment. Also 90's enters and resurrects classical literature shows in new enjoyment method and a new possibility. Namely, Gasa with from literature lightly is a possibility of culture as item of feminine festival function of doing further the Gasa. For that literary expressive aspect and enjoyment method of the Gasa inevitably, changed.
Naebang-Gasa is not any more the literature of past perfect style knows the current style inland but literature present progressive form. Of course only the Gyeongsangbuk-do part area is becoming the enjoyment even area, enjoyment age group also most very old woman capacity does. But recently about the listening academic world and Naebang-Gasa creation and cultural research of the region government interest, and owes in the enjoyment ceremony which pride of the enjoyment people are higher and strength of the Naebang-Gasa reconstruction can be today.
KW - Naebang-Gasa;current Naebang-Gasa;Korean classical literature;Enjoyment method
DO -
UR -
ER -
이정옥. (2008). Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-. The Studies in Korean Poetry and Culture, 22, 259-282.
이정옥. 2008, "Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-", The Studies in Korean Poetry and Culture, no.22, pp.259-282.
이정옥 "Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-" The Studies in Korean Poetry and Culture 22 pp.259-282 (2008) : 259.
이정옥. Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-. 2008; 22 : 259-282.
이정옥. "Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-" The Studies in Korean Poetry and Culture no.22(2008) : 259-282.
이정옥. Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-. The Studies in Korean Poetry and Culture, 22, 259-282.
이정옥. Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-. The Studies in Korean Poetry and Culture. 2008; 22 259-282.
이정옥. Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-. 2008; 22 : 259-282.
이정옥. "Enjoyment method and modern transfiguration problem of Naebang-Gasa -forcusing current Naebang-Gasa of Gyeongsangbuk-do-" The Studies in Korean Poetry and Culture no.22(2008) : 259-282.