@article{ART001373993},
author={Han seong geum},
title={A Study on Songok Lee Dal's Representative Techniques},
journal={The Studies in Korean Poetry and Culture},
issn={2466-1759},
year={2009},
number={24},
pages={295-318}
TY - JOUR
AU - Han seong geum
TI - A Study on Songok Lee Dal's Representative Techniques
JO - The Studies in Korean Poetry and Culture
PY - 2009
VL - null
IS - 24
PB - The Society of Korean Poetry and Culture
SP - 295
EP - 318
SN - 2466-1759
AB - Songok Lee Dal, a poet of Samdangpa in the middle of Joseon Period, was famous for superior representational method of poetry.
He was highly admired by many people including Huh Gyun, one of his students, because of his superiority in describing poetry. The reason why his poetry was admired is that his poetry is outstanding in configuration of poetry.
Mr. Lee Dal's outstanding method to express poetry lies in techniques and choice of words. He used visual description of images to objectively express objects. The poet attempted to present what the characters in poetry wanted to express only with objective scenes instead of attitude as a narrator.
And he inspired objects through projection of emotion into natural things. Thus, when emotion of speakers is indirectly revealed through natural features, meaning implied in poetry is expanded and a trailing note of imagination is presented.
His another technique of poetry is excellent word choice. He used a lots of sound symbolic words to represent rhythm. His poetry used various sounds to reinforce poetry to which his emotion was projected to have a subtle effect. And he omitted predicates for static description of natural features, which inspired readers to have imagination.
As above, Songok controlled voice and emotion of poetic speakers as much as possible to give inspiration and strong tail notes to readers. As he has excellent linguistic sense, that is, ability to manipulate languages, he is considered to have led the poetry style of Dang Dynasty in the middle of Joseon period.
KW - beauty of images;description of scenes;emotional representation of objects;deposition;configuration;sound symbolic words;reduplication;omission of predicate;imagination and tailing note;eruption and control of emotion
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Han seong geum. (2009). A Study on Songok Lee Dal's Representative Techniques. The Studies in Korean Poetry and Culture, 24, 295-318.
Han seong geum. 2009, "A Study on Songok Lee Dal's Representative Techniques", The Studies in Korean Poetry and Culture, no.24, pp.295-318.
Han seong geum "A Study on Songok Lee Dal's Representative Techniques" The Studies in Korean Poetry and Culture 24 pp.295-318 (2009) : 295.
Han seong geum. A Study on Songok Lee Dal's Representative Techniques. 2009; 24 : 295-318.
Han seong geum. "A Study on Songok Lee Dal's Representative Techniques" The Studies in Korean Poetry and Culture no.24(2009) : 295-318.
Han seong geum. A Study on Songok Lee Dal's Representative Techniques. The Studies in Korean Poetry and Culture, 24, 295-318.
Han seong geum. A Study on Songok Lee Dal's Representative Techniques. The Studies in Korean Poetry and Culture. 2009; 24 295-318.
Han seong geum. A Study on Songok Lee Dal's Representative Techniques. 2009; 24 : 295-318.
Han seong geum. "A Study on Songok Lee Dal's Representative Techniques" The Studies in Korean Poetry and Culture no.24(2009) : 295-318.
