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Aesthetic Harmony in Korean Old Siga

  • The Studies in Korean Poetry and Culture
  • Abbr : Korean Poetry and Culture
  • 2010, (25), pp.271-288
  • Publisher : The Society of Korean Poetry and Culture
  • Research Area : Humanities > Korean Language and Literature

전일환 1

1전주대학교

Accredited

ABSTRACT

We can find out the essence of aesthetic of Siga(詩歌), a Korean poem, which is the aesthetic harmony. This aesthetic of harmony rises yang-in thougt(陰陽思想) of the Oriental. They become togetherness making pairs with same or other differences, and are making a pretty in a harmony. They divide into two kind. One is the facing things which the dual relation between a material or a thing, the other is the facing discourse which is the subject to the subject and the predicate to the predicate. The rhetoric aesthetic making such harmonies divide into three kind. First is antithesis of opposition(反對偶) making harmony in the most intense. Second is antithesis of same or similar(正對偶)producing being easy and smooth pretty. The final is antithesis of the relationship between cause and effect or master and servant(串對偶 ) producing orderly systematic pretty. Songgang Jeong Cheol or Gosan Yun Sundo becme the foremost writers of Gasa or poem in Korea using the rhetoric aesthetic in their works. They became the most famous poets using Korean words and languages with the aesthetic skills in Jeong Cheol's "Samiingok", "Sokmiingok", "Gwandongbyulgok", "Jangjinzusa", and "Huminga", and Yun Sundo's "Sanjungsingok", "Eobusasisa" etc.

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