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The Gasa composing and transmission at court banquet

  • The Studies in Korean Poetry and Culture
  • Abbr : Korean Poetry and Culture
  • 2010, (26), pp.241-269
  • Publisher : The Society of Korean Poetry and Culture
  • Research Area : Humanities > Korean Language and Literature

Shin, Kyung-Sook 1

1한성대학교

Accredited

ABSTRACT

The purpose of this thesis is to define creation base andtransmission of <Hwa-Jo-Ga>. I show the results as follows. First of all, <Hwa-Jo-Ga> was completed in two stages. In the first stage, A court lady Cho Maenghwa wrote this work. In the second stage, Hyomyoung-seja added two line on the beginning of it. Therefore, today's <Hwa-Jo-Ga> is the combined work of a court lady and a royal prince. Second, <Hwa-Jo-Ga> is based on Court banquet of Febuary in 1829 on the period of making the royal prince to do works as king's agent. It was political poetry to express their active approval opinion about Hyomyoung-seja's political activities for restoring the royal power. Third, <Hwa-Jo-Ga> was widely known among the people from Court which was the first writing place. A then, in the process of transmission, It was divided into Gyubang Gasa and fork song and became two different genre. It was handed down in the region of Youngnam.

Citation status

* References for papers published after 2022 are currently being built.

This paper was written with support from the National Research Foundation of Korea.