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A study on Ko Gyoung-myoung poetry

  • The Studies in Korean Poetry and Culture
  • Abbr : Korean Poetry and Culture
  • 2011, (28), pp.57-90
  • Publisher : The Society of Korean Poetry and Culture
  • Research Area : Humanities > Korean Language and Literature

Kim Eun-soo 1

1광주대학교

Accredited

ABSTRACT

Jaebong(霽峰), Ko Gyoung-Myoung(高敬命) was a poet that lived in 16th centry, Chosun dynasty. This study is on his chinese poems. A poem current of that time designated a transistional stage, in Song-poem(宋詩) and Dang-poem(唐詩) (if we must say, revial Sungdang-poem, 盛唐詩), therefore, Samdang poets (三唐詩人: 李達, 崔慶昌, 白光勳) was praised best in that time. But poet, Ko gyoung-myoung is no inferior these Samdang poets. His poem compare flavorably with Samdang poet's poetry. First, Ko's works is Sansoo-poem(山水詩, landscape-poem) of landscape. that is a drawing in poems. they are all alike to Samdang poetry Second, Ko's works is a Jeonwon-poem(田園詩, pastoral poem). These poem is previous-scenery and later emotion or intermixtured scenery-emotion. Third, Ko's works is romantic poem. His poem described a traveler's mind, was not attached to richs, honours and long life. Moreover, Chuangtzu's Soyo (莊子의 逍遙, Chuangtzu's ramble) is one aspect of Ko's poems. Forth, Ko's works is Zen(Dhyana)-poem, Buddhism's poem. He established friendly relation with a Buddhist monk. Furthermore, he was an intelligent person in Buddhism, consequently a lot of works was Buddhism's poems in his poetry. In conclusion, a contents and art's devices which appears in Ko's chinese works has some aspect of Sungdang poetry.

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