@article{ART001637196},
author={CHO TAESEONG},
title={Myeon[俛] and Ang[仰], the Two Eyes},
journal={The Studies in Korean Poetry and Culture},
issn={2466-1759},
year={2012},
number={29},
pages={335-358}
TY - JOUR
AU - CHO TAESEONG
TI - Myeon[俛] and Ang[仰], the Two Eyes
JO - The Studies in Korean Poetry and Culture
PY - 2012
VL - null
IS - 29
PB - The Society of Korean Poetry and Culture
SP - 335
EP - 358
SN - 2466-1759
AB - I tried to read the Myeonangjeong-Ga[俛仰亭歌] by the two eyes in this article. The two eyes are Myeon[俛] and Ang[仰]. But I have noted to the Center[中] and the person stand on the center between the sky and the earth. In this process, I could to make sure that the aesthetic elegance of Myeonangjeong-Ga[俛仰亭歌] was completed by the minuteness of its structure. This structure was a direct projection of Song-soon’s Confucianism. In other words, he aimed to an union of the communication meaned to the sky and the earth. He tried to recognize the being of ‘I’ moving independently. This point is a reason reading of Myeonangjeong-Ga[俛仰亭歌] anew.
KW - Myeonangjeong-Ga[俛仰亭歌];The two eyes;Myeon[俛];Ang[仰];Confucianism;Union
DO -
UR -
ER -
CHO TAESEONG. (2012). Myeon[俛] and Ang[仰], the Two Eyes. The Studies in Korean Poetry and Culture, 29, 335-358.
CHO TAESEONG. 2012, "Myeon[俛] and Ang[仰], the Two Eyes", The Studies in Korean Poetry and Culture, no.29, pp.335-358.
CHO TAESEONG "Myeon[俛] and Ang[仰], the Two Eyes" The Studies in Korean Poetry and Culture 29 pp.335-358 (2012) : 335.
CHO TAESEONG. Myeon[俛] and Ang[仰], the Two Eyes. 2012; 29 : 335-358.
CHO TAESEONG. "Myeon[俛] and Ang[仰], the Two Eyes" The Studies in Korean Poetry and Culture no.29(2012) : 335-358.
CHO TAESEONG. Myeon[俛] and Ang[仰], the Two Eyes. The Studies in Korean Poetry and Culture, 29, 335-358.
CHO TAESEONG. Myeon[俛] and Ang[仰], the Two Eyes. The Studies in Korean Poetry and Culture. 2012; 29 335-358.
CHO TAESEONG. Myeon[俛] and Ang[仰], the Two Eyes. 2012; 29 : 335-358.
CHO TAESEONG. "Myeon[俛] and Ang[仰], the Two Eyes" The Studies in Korean Poetry and Culture no.29(2012) : 335-358.
