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The dream of Song-Sun and the delight of <Myeonangjeongga>

  • The Studies in Korean Poetry and Culture
  • Abbr : Korean Poetry and Culture
  • 2013, (31), pp.349-374
  • Publisher : The Society of Korean Poetry and Culture
  • Research Area : Humanities > Korean Language and Literature

Sangeun Choi 1

1상명대학교

Accredited

ABSTRACT

This article tried to look for the principle that penetrate the various works of Song-Sun(宋純), and to look at <Myeonangjeongga(俛仰亭歌)> in that context. That principle is the relationship between ideology and reality. His poems can be classified in four types of the poem for the king(應製詩), the reality-critical poem(現實批判詩), the didactic poem(敎訓詩, the nature poem(山水詩). Because four types of work have different inclinations on the surface, they seems to be very disparate. However, they were confirmed to have a homogenous directivity inwardly. The poem for the king is a group of works that symbolizes the world of dreams of the king and servants, and the reality-critical poem is a group of works which aims to realize the ideal society by the criticism of the wrong real society. The didactic poem is a group of works that urge the ideological tensions of the government official to overcome the negative reality. The nature poem is a group of works which shapes the life of living harmoniously without conflict. Song-Sun’ dream that is shaped in four types of the poem, is converged in <Myeonangjeongga>. <Myeonangjeongga> is a work that sings Song-Sun’ delight which is achieved all the dreams and ideals.

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