@article{ART002381828},
author={Park, Inhee},
title={The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok},
journal={The Studies in Korean Poetry and Culture},
issn={2466-1759},
year={2018},
number={42},
pages={81-108}
TY - JOUR
AU - Park, Inhee
TI - The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok
JO - The Studies in Korean Poetry and Culture
PY - 2018
VL - null
IS - 42
PB - The Society of Korean Poetry and Culture
SP - 81
EP - 108
SN - 2466-1759
AB - This paper reviews Hyangga works written in the reign of King Gyeongdeok,
, , , and . and are songs to fit the characteristics of Pyeonmok that they are contained in. By the way, and are contained together. In existing discussions, the works were understood with a focus on their relation with the authors, Wolmyeongsa and Chungdamsa, and the songs, introduced together, also were treated with a focus on the authors. This paper examines and with a focus on King Gyeongdeok who made the two songs written, rather than on the authors, and, based on it, considers the reason why and were introduced, as well.
Based on King Gyeongdeok, ‘Iilbyeonghyeon(二日竝現, two suns appearing in the sky)’, the motivation for creating , could be seen as an expression related to the appearance of the royal lineage of King Naemul. Considering that, could be understood as a political message that King Gyeongdeok sent to his subjects, as a result of derailing the appearance of the royal lineage of King Naemul with a political compromise. that is a song related to the birth story of King Hyegong is a message that King Gyeongdeok sent to his princes and subjects and shows that subjects should play a large role in the country's peace. In doing so, he intented to admonish his subjects.
Ilyeon introduced because Wolmyeongsa made ‘Iilbyeonghyeon’ disappeared but the process of creating , by itself, didn’t correspond to Gamtong-pyeon. He dealt with because he could supplement the story, insufficient for Gamtong-pyeon, by showing Wolmyeongsa’s faith through introducing the story that was written. King Gyeongdeok mentioned in order to expect stressing subjects’ role from Chungdamsa. Therefore, by mentioning , King Gyeongdeok indirectly expressed what he wanted a song to Chungdamsa.
KW - Hyangga;Anminga;Dosolga;Changiparangga;Jemangmaega;Sangukyusa
DO -
UR -
ER -
Park, Inhee. (2018). The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok. The Studies in Korean Poetry and Culture, 42, 81-108.
Park, Inhee. 2018, "The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok", The Studies in Korean Poetry and Culture, no.42, pp.81-108.
Park, Inhee "The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok" The Studies in Korean Poetry and Culture 42 pp.81-108 (2018) : 81.
Park, Inhee. The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok. 2018; 42 : 81-108.
Park, Inhee. "The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok" The Studies in Korean Poetry and Culture no.42(2018) : 81-108.
Park, Inhee. The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok. The Studies in Korean Poetry and Culture, 42, 81-108.
Park, Inhee. The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok. The Studies in Korean Poetry and Culture. 2018; 42 81-108.
Park, Inhee. The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok. 2018; 42 : 81-108.
Park, Inhee. "The Meaning and Role of 4 Hyangga Works in the Reign of King Gyeongdeok" The Studies in Korean Poetry and Culture no.42(2018) : 81-108.
