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Cultural space in Honam, Pungryu[風流] and Sympathetic field

  • The Studies in Korean Poetry and Culture
  • Abbr : Korean Poetry and Culture
  • 2020, (45), pp.5-26
  • Publisher : The Society of Korean Poetry and Culture
  • Research Area : Humanities > Korean Language and Literature
  • Received : January 21, 2020
  • Accepted : January 30, 2020
  • Published : February 29, 2020

CHO TAESEONG 1

1전남대학교

Accredited

ABSTRACT

This article has studied Mojeong[茅亭] and Pavilion[樓亭] as the representative cultural spaㅍce of Honam in the traditional period. But I did not simply list or analyze the situation in such spaces. Rather, I studied the primitive character of various spaces and how they have been inherited, and how they can be reinterpreted from a modern perspective. Thus, first of all, I examined. the modern concept and character as a political and cultural space. And I have learned about aspects of Mojeong[茅亭] in the traditional period. Furthermore, I looked at the point where Mojeong[茅亭] is replaced by Pavilion[樓亭] and the pattern of Pungryu[風流] in it. Through this, I also suggested the possibility of modern interpretation of Mojeong as a multi-Sympathetic field[共感場]. The intention was to examine through the pavilion culture for the possibility of what points of Pungryu[風流], which has been used as an abstract concept, can now be projected into our lives.

Citation status

* References for papers published after 2023 are currently being built.

This paper was written with support from the National Research Foundation of Korea.