@article{ART001453677},
author={Heather A. Willoughby},
title={Melding Past and Present : Korean Identities in Contemporary P’ansori Performances},
journal={Journal of the Korean Society for Musicology},
year={2010},
volume={18},
number={1},
pages={187-220},
doi={10.34303/mscol.2010.18.1.007}
TY - JOUR
AU - Heather A. Willoughby
TI - Melding Past and Present : Korean Identities in Contemporary P’ansori Performances
JO - Journal of the Korean Society for Musicology
PY - 2010
VL - 18
IS - 1
PB - The Korean Society for Musicology
SP - 187
EP - 220
AB - This paper analyzes four contemporary p’ansori pieces as a means of elucidating the continuing and changing performance practices and sounds of the genre. These performances are not necessarily representative of all newly-created pieces (ch’angjak p’ansori), but by observing certain stylistic and performative qualities we will be able to learn something about the way the genre is changing and what the changes might mean in terms of Korean identity. Thus, by comparing texts, sound aesthetics, performance space, costuming, and physical gestures used in contemporary p’ansori performances, we will be able to investigate the ways in which a traditional art form is being re-invented to appeal to young audiences. Additionally, we will observe how p’ansori itself is dealing with an era of globalization as the genre absorbs influences from the outside and conversely presents a rearticulated image of Korea to the world.
KW - ch’angjak p’ansori (newly-created p’ansori);performative qualities;sound aesthetics;re-invention of tradition
DO - 10.34303/mscol.2010.18.1.007
ER -
Heather A. Willoughby. (2010). Melding Past and Present : Korean Identities in Contemporary P’ansori Performances. Journal of the Korean Society for Musicology, 18(1), 187-220.
Heather A. Willoughby. 2010, "Melding Past and Present : Korean Identities in Contemporary P’ansori Performances", Journal of the Korean Society for Musicology, vol.18, no.1 pp.187-220. Available from: doi:10.34303/mscol.2010.18.1.007
Heather A. Willoughby "Melding Past and Present : Korean Identities in Contemporary P’ansori Performances" Journal of the Korean Society for Musicology 18.1 pp.187-220 (2010) : 187.
Heather A. Willoughby. Melding Past and Present : Korean Identities in Contemporary P’ansori Performances. 2010; 18(1), 187-220. Available from: doi:10.34303/mscol.2010.18.1.007
Heather A. Willoughby. "Melding Past and Present : Korean Identities in Contemporary P’ansori Performances" Journal of the Korean Society for Musicology 18, no.1 (2010) : 187-220.doi: 10.34303/mscol.2010.18.1.007
Heather A. Willoughby. Melding Past and Present : Korean Identities in Contemporary P’ansori Performances. Journal of the Korean Society for Musicology, 18(1), 187-220. doi: 10.34303/mscol.2010.18.1.007
Heather A. Willoughby. Melding Past and Present : Korean Identities in Contemporary P’ansori Performances. Journal of the Korean Society for Musicology. 2010; 18(1) 187-220. doi: 10.34303/mscol.2010.18.1.007
Heather A. Willoughby. Melding Past and Present : Korean Identities in Contemporary P’ansori Performances. 2010; 18(1), 187-220. Available from: doi:10.34303/mscol.2010.18.1.007
Heather A. Willoughby. "Melding Past and Present : Korean Identities in Contemporary P’ansori Performances" Journal of the Korean Society for Musicology 18, no.1 (2010) : 187-220.doi: 10.34303/mscol.2010.18.1.007
