@article{ART001832141},
author={이영민},
title={Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith},
journal={Journal of the Korean Society for Musicology},
year={2013},
volume={21},
number={2},
pages={7-38},
doi={10.34303/mscol.2013.21.2.001}
TY - JOUR
AU - 이영민
TI - Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith
JO - Journal of the Korean Society for Musicology
PY - 2013
VL - 21
IS - 2
PB - The Korean Society for Musicology
SP - 7
EP - 38
AB - Liber primus sacrarum cantionum (1589) is the first publication made up entirely of Byrd’s Latin motets, compositions that not only show Byrd’s strength as an English musician but also as a defender of his faith. Byrd was a very active Catholic, present at a major Jesuit event to welcome two secret missionaries from Rome in the 1580s, when Catholics were under the threat of intense persecution. He was also connected to the plots for the accession of Mary, Queen of the Scots, for the revival of Catholic faith in England. By publishing Latin motets -- which couldn’t expect economic profits after the establishment of the Anglican Church in England -- Byrd found a way to express his religious and political beliefs. In this essay, Byrd’s specific plans of publication, as well as the religious background of the period, are examined. Also, the texts of Liber primus sacrarum cantionum are reviewed to understand their secondary meaning, the reflection of the English Catholic community under persecution. Byrd’s texts are mostly Scripture-based. Among 16 pieces, two highlight praise and joy with others focusing on Babylonian captivity, Egyptian captivity, the plight of Jerusalem, the advent of God, liberation and martyrdom. Through these texts, the plight of Byrd, and his contemporary Catholics, is represented through music and song.
KW - Byrd;motet;political motet;Latin church music;Liber primus sacrarum cantionum;English Renaissance music;recusant music
DO - 10.34303/mscol.2013.21.2.001
ER -
이영민. (2013). Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith. Journal of the Korean Society for Musicology, 21(2), 7-38.
이영민. 2013, "Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith", Journal of the Korean Society for Musicology, vol.21, no.2 pp.7-38. Available from: doi:10.34303/mscol.2013.21.2.001
이영민 "Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith" Journal of the Korean Society for Musicology 21.2 pp.7-38 (2013) : 7.
이영민. Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith. 2013; 21(2), 7-38. Available from: doi:10.34303/mscol.2013.21.2.001
이영민. "Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith" Journal of the Korean Society for Musicology 21, no.2 (2013) : 7-38.doi: 10.34303/mscol.2013.21.2.001
이영민. Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith. Journal of the Korean Society for Musicology, 21(2), 7-38. doi: 10.34303/mscol.2013.21.2.001
이영민. Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith. Journal of the Korean Society for Musicology. 2013; 21(2) 7-38. doi: 10.34303/mscol.2013.21.2.001
이영민. Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith. 2013; 21(2), 7-38. Available from: doi:10.34303/mscol.2013.21.2.001
이영민. "Liber primus sacrarum cantionum (1589) and the Expression of Byrd’s Catholic Faith" Journal of the Korean Society for Musicology 21, no.2 (2013) : 7-38.doi: 10.34303/mscol.2013.21.2.001
