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Risk Society and Anxious Music

CHOI YUJUN 1

1전남대학교

Candidate

ABSTRACT

It is possible to say that Korea has become what Ulrich Beck called the ‘Risk society’ since long before. The essential symptom of risk society lies not just in accidents and disasters frequently happened and caused by human error, but in the accelerated individualization that is now rampant in this society. The emotional shock the Koreans had gotten from ‘Sewol-ferry disaster’ was also associated to the recognition of a risk society with an individualization setting. Anxiety is a dominant feeling in this risk society. This paper analyses the emotional relations between music and risk society. I will also suggest how anxiety of this risk society reveals in recent popular music scene through several examples. The new modernity(‘second modernity’), as Beck suggested, urges to find ‘the political’, which is not about a macro-politics but about a micro- and life politics. A path to escape from demands for unlimited competition and efficiency by capitalist markets lies in political practices of arts and music. We should change the irreversible individualizing process to a self-reflective one. The individual artistic practice made through aesthetic communication and empathic understanding causes not anxiety about survival but an aesthetic chaos, which would rather stop the reified system of this society and arouse a forgotten emotional community.

Citation status

* References for papers published after 2024 are currently being built.

This paper was written with support from the National Research Foundation of Korea.