@article{ART003168462},
author={HyejinYi},
title={Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006)},
journal={Journal of the Korean Society for Musicology},
year={2024},
volume={32},
number={2},
pages={7-32},
doi={10.34303/mscol.2024.32.2.001}
TY - JOUR
AU - HyejinYi
TI - Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006)
JO - Journal of the Korean Society for Musicology
PY - 2024
VL - 32
IS - 2
PB - The Korean Society for Musicology
SP - 7
EP - 32
AB - The artistic work of coexisting two different cultures within a single musical work implies various meanings from the musical level to social and cultural issues, and the Korean ‘Western music’ created after the acceptance of Western music at the end of the 19th century is a representative example. This paper examines how cross-cultural interaction is specifically manifested in Korean music through a study of Bonu Koo’s 《nah-fern》 (1998) and 《divertimento for ensemble cmek》 (2006) From a musical perspective, the way these two works borrow Korean traditional music from Western contemporary music and the issue of combining traditional and Western instruments seem important, but they also contain personal and social reflections on how to connect with others in a healthy way without losing oneself, and furthermore, how to coexist with each other in an era of multi-culturalism or division.
KW - Korean Music;Western Music;Orientalism;Asian Neo-Orientalism;Post-Colonialism;Hybridity;Interculturality;Divertimento;Bonu Koo
DO - 10.34303/mscol.2024.32.2.001
ER -
HyejinYi. (2024). Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006). Journal of the Korean Society for Musicology, 32(2), 7-32.
HyejinYi. 2024, "Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006)", Journal of the Korean Society for Musicology, vol.32, no.2 pp.7-32. Available from: doi:10.34303/mscol.2024.32.2.001
HyejinYi "Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006)" Journal of the Korean Society for Musicology 32.2 pp.7-32 (2024) : 7.
HyejinYi. Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006). 2024; 32(2), 7-32. Available from: doi:10.34303/mscol.2024.32.2.001
HyejinYi. "Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006)" Journal of the Korean Society for Musicology 32, no.2 (2024) : 7-32.doi: 10.34303/mscol.2024.32.2.001
HyejinYi. Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006). Journal of the Korean Society for Musicology, 32(2), 7-32. doi: 10.34303/mscol.2024.32.2.001
HyejinYi. Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006). Journal of the Korean Society for Musicology. 2024; 32(2) 7-32. doi: 10.34303/mscol.2024.32.2.001
HyejinYi. Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006). 2024; 32(2), 7-32. Available from: doi:10.34303/mscol.2024.32.2.001
HyejinYi. "Research on the Bi-Instrumentation in Contemporary Korean Music: Focusing on Bonu Koo’s 《Nah-Fern》 (1998) and 《Divertimento for Ensemble CMEK》 (2006)" Journal of the Korean Society for Musicology 32, no.2 (2024) : 7-32.doi: 10.34303/mscol.2024.32.2.001
