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@article{ART001640448},
author={KIM DAE SUNG},
title={止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -},
journal={Journal of Japanese Culture},
issn={1226-3605},
year={2012},
number={52},
pages={5-29},
doi={10.21481/jbunka..52.201202.5}

TY - JOUR
AU - KIM DAE SUNG
TI - 止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -
JO - Journal of Japanese Culture
PY - 2012
VL - null
IS - 52
PB - The Japanese Culture Association Of Korea (Jcak)
SP - 5
EP - 29
SN - 1226-3605
AB - The aim of this study is to verify the validity of my reconstruction Wei rhyme(微韻) [ ii] and [ iui] in Zhi rhyme group(止攝), using the literature on Sino-Korean, Manyō Kana or Japanese phonetic alphabet, Modern Chinese dialects, Sino-Vietnamese and Sino-Tibetan. The main grounds are as follows:First, in kaikou final all the initials in Wei rhyme are /의/ in Sino-Korean,whereas in hekou final velars and laryngeals are /위/, bilabials /이/. The fact that kaikou and hekou final both have /이/([i]) represents the vowel and ending of Wei rhyme in Ancient Chinese is [i]. Second, the sound value of the other i or ï in Old Japanese has similar sound quality to Wei rhyme, the former [ i i](or [ ii]), the latter [ ii] and [ i ui]. The reason that Manyō Kanas in kaikou final were made few use of seems to have something to do with the medial of the third division for which ones in hekou final were substituted. Third, Sino-Vietnamese has [i] and [ui], which have the same sound value to Sino-Korean. Finally, bilabials in Sino-Tibetan were reflected as yi[ji]. It appears that being based on y[j] the medial was not [ i], but [ i].
KW - 止攝(Zhi rhyme group) 微韻(Wei rhyme) 중고음(Ancient Chinese) 재구(reconstruction) 한국 전승 한자음(Sino-Korean)萬葉假名(Manyō Kana or Japanese phonetic alphabet) 베트남한자음(Sino-Vietnamese) 티베트 한자음(Sino-Tibetan) 현대 중국 방언음(Modern Chinese dialects) 개음(medial)
DO - 10.21481/jbunka..52.201202.5
ER -

KIM DAE SUNG. (2012). 止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -. Journal of Japanese Culture, 52, 5-29.

KIM DAE SUNG. 2012, "止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -", Journal of Japanese Culture, no.52, pp.5-29. Available from: doi:10.21481/jbunka..52.201202.5

KIM DAE SUNG "止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -" Journal of Japanese Culture 52 pp.5-29 (2012) : 5.

KIM DAE SUNG. 止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -. 2012; 52 : 5-29. Available from: doi:10.21481/jbunka..52.201202.5

KIM DAE SUNG. "止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -" Journal of Japanese Culture no.52(2012) : 5-29.doi: 10.21481/jbunka..52.201202.5

KIM DAE SUNG. 止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -. Journal of Japanese Culture, 52, 5-29. doi: 10.21481/jbunka..52.201202.5

KIM DAE SUNG. 止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -. Journal of Japanese Culture. 2012; 52 5-29. doi: 10.21481/jbunka..52.201202.5

KIM DAE SUNG. 止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -. 2012; 52 : 5-29. Available from: doi:10.21481/jbunka..52.201202.5

KIM DAE SUNG. "止攝 諸韻의 中古音 再構 - 한일중 및 베트남･티베트 자료를 중심으로 -" Journal of Japanese Culture no.52(2012) : 5-29.doi: 10.21481/jbunka..52.201202.5