@article{ART002203271},
author={Park, Su-Kyung},
title={The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-},
journal={Journal of Japanese Culture},
issn={1226-3605},
year={2017},
number={72},
pages={147-170},
doi={10.21481/jbunka..72.201702.147}
TY - JOUR
AU - Park, Su-Kyung
TI - The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-
JO - Journal of Japanese Culture
PY - 2017
VL - null
IS - 72
PB - The Japanese Culture Association Of Korea (Jcak)
SP - 147
EP - 170
SN - 1226-3605
AB - Hashima, Nagasaki is an island where Koreans were forced to work during the colonial period. The island is a World Heritage Site under the name “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”(1850-1910) with the truth fading into the back. This study reflects on how hashima was chosen as a World Heritage, what meaning Japan is trying to enforce on it, and how the local reaction in Nagasaki has changed before and after the declaration. Also, this paper examines the opposition to declation hashima a heritage site from Korea. As a result, I find that Abe’s 70-years discourse, the “Meiji Glory Theory” was frequently in the intent of becoming a World Heritage site and his role model, Yoshida Shoin’s Shoka Sonjyuku was chosen as part of the heritage site.
KW - World heritage site;Nagasaki;Hashima;Meiji eikoron;Shoka Sonjyuku;The Meeting for Human Rights Protection for zainichi-chousenjin in Nagasaki
DO - 10.21481/jbunka..72.201702.147
ER -
Park, Su-Kyung. (2017). The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-. Journal of Japanese Culture, 72, 147-170.
Park, Su-Kyung. 2017, "The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-", Journal of Japanese Culture, no.72, pp.147-170. Available from: doi:10.21481/jbunka..72.201702.147
Park, Su-Kyung "The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-" Journal of Japanese Culture 72 pp.147-170 (2017) : 147.
Park, Su-Kyung. The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-. 2017; 72 : 147-170. Available from: doi:10.21481/jbunka..72.201702.147
Park, Su-Kyung. "The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-" Journal of Japanese Culture no.72(2017) : 147-170.doi: 10.21481/jbunka..72.201702.147
Park, Su-Kyung. The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-. Journal of Japanese Culture, 72, 147-170. doi: 10.21481/jbunka..72.201702.147
Park, Su-Kyung. The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-. Journal of Japanese Culture. 2017; 72 147-170. doi: 10.21481/jbunka..72.201702.147
Park, Su-Kyung. The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-. 2017; 72 : 147-170. Available from: doi:10.21481/jbunka..72.201702.147
Park, Su-Kyung. "The Politics of Representaion Between Korea and Japan Around World Heritage Site -Focused on “Japan’s Meiji Industrial Revolution: Iron and Steel, Shipbuilding and Coal Mining”-" Journal of Japanese Culture no.72(2017) : 147-170.doi: 10.21481/jbunka..72.201702.147